Unguarded Border tells the stories of the 50,000 Americans who fled across the border to Canada in the 1960s and 1970s, a migrant experience that does not fit the usual paradigms. Historian Donald W. Maxwell explores how these Americans in exile forged cosmopolitan identities, permanently changing perceptions of military service, nation, and citizenship. 

This book incorporates literary works, testimonies, autobiographies, women’s resistance movements, and films that add to the conversation on the resilience of women in the global south. The essays question historical accuracy and politics of representation that usually undermine women’s role during conflict, and they reevaluate how women participated, challenged, sacrificed, and vehemently opposed war discourses that work on obliterating women’s role in shaping resistance movements.
 

This book incorporates literary works, testimonies, autobiographies, women’s resistance movements, and films that add to the conversation on the resilience of women in the global south. The essays question historical accuracy and politics of representation that usually undermine women’s role during conflict, and they reevaluate how women participated, challenged, sacrificed, and vehemently opposed war discourses that work on obliterating women’s role in shaping resistance movements.
 

German Ways of War explores the production of novel spaces and evocation of new affects in the war-film genre between the 1910s and 2000s. Beyond the conventional pairing of visuality and violence, war films combine mobility, landscape, territory, scales, and topological networks into “affective geographies” that interweave narratively-generated affect, space, and political processes.
 

Thanks to the invention of photography and the telegraph descriptions and images of war have proliferated from the nineteenth century onward, yet wars continue to be fought. The way descriptions of war are framed blunts the impact of images of death and makes war an acceptable option by representing it as “war without bodies” therefore without casualties. Beginning with Crimean War, War Without Bodies traces the ways that death was framed in poetry, photography, video and video games up to and including the Iraq War.