Tanine Allison

Editing and Special/Visual Effects brings together a diverse range of film scholars who trace how the arts of editing and effects have evolved in tandem. Starting with the “trick films” of the early silent era, they demonstrate the key role these two crafts have played in cinematic history. Along the way, readers learn about a variety of filmmaking techniques, from classic Hollywood’s rear projection and matte shots to the fast cuts and wall-to-wall CGI of the contemporary blockbuster. 

In the American popular imaginary, the Second World War remains the prime example of American virtue—the country is typified by individual and collective heroism. Destructive Sublime complicates the oversimplified and commonly held view that film and video portray the war in ways that are conservative, both politically and aesthetically.