Editing and Special/Visual Effects

Edited by Charlie Keil and Kristen Whissel

SERIES: Behind the Silver Screen Series

Rutgers University Press

Most moviegoers think of editing and special effects as distinct components of the filmmaking process. We might even conceive of them as polar opposites, since effective film editing is often subtle and almost invisible, whereas special effects frequently call attention to themselves. Yet, film editors and visual effects artists have worked hand-in-hand from the dawn of cinema to the present day.

Editing and Special/Visual Effects brings together a diverse range of film scholars who trace how the arts of editing and effects have evolved in tandem. Collectively, the contributors demonstrate how these two crafts have been integral to cinematic history, starting with the “trick films” of the early silent era, which astounded audiences by splicing in or editing out key frames, all the way up to cutting-edge effects technologies and concealed edits used to create the illusions. Throughout, readers learn about a variety of filmmaking techniques, from classic Hollywood’s rear projection and matte shots to the fast cuts and wall-to-wall CGI of the contemporary blockbuster.

In addition to providing a rich historical overview, Editing and Special/Visual Effects supplies multiple perspectives on these twinned crafts, introducing readers to the analog and digital tools used in each craft, showing the impact of changes in the film industry, and giving the reader a new appreciation for the processes of artistic collaboration they involve.

In this sweeping overview, film scholars Charlie Keil and Kristen Whissel show how these two vital crafts have worked in tandem—from the beginning of 'moving pictures' through modern-day digital blockbusters—to create movie magic. Parade

Editing and Special/Visual Effects is an important step in rightfully positioning the art of editing within the academic canon. CineMontage: Journal of the Motion Picture Editors Guild

Editing and Special/Visual Effects is a much needed survey of two fundamental cinematic crafts and techniques and their creative challenges. Essential reading for anyone wishing to understand the instrumental impact of technological turns on film history. André Gaudreault, Université de Montréal

CHARLIE KEIL is the principal of Innis College and a professor in the history department at the University of Toronto. His many books include Early American Cinema in Transition and the coedited collections American Cinema’s Transitional Era and American Cinema of the 1910s (Rutgers University Press).

KRISTEN WHISSEL is a professor of film and media at the University of California, Berkeley. She is the author of Picturing American Modernity: Traffic, Technology, and the Silent Cinema and Spectacular Digital Effects: CGI and Contemporary Cinema.

Introduction

Charlie Keil and Kristen Whissel

1. The Silent Screen, 1894–1927: Editing

Scott Higgins

2. The Silent Screen, 1894–1927: Special/Visual Effects

Dan North

3. Classical Hollywood, 1928–1946: Editing

Paul Monticone

4. Classical Hollywood, 1928–1946: Special/Visual Effects

Ariel Rogers

5. Postwar Hollywood, 1947–1967: Editing

Dana Polan