Stephen Prince
Showing 1-12 of 13 items.
The Horror Film
Edited by Stephen Prince
Rutgers University Press
In this volume, Stephen Prince has collected essays reviewing the history of the horror film and the psychological reasons for its persistent appeal, as well as discussions of the developmental responses of young adult viewers and children to the genre. The book focuses on recent postmodern examples such as The Blair Witch Project. In a daring move, the volume also examines Holocaust films in relation to horror.
- Copyright year: 2004
American Cinema of the 1980s
Themes and Variations
Edited by Stephen Prince
Rutgers University Press
During the 1980s, American cinema underwent enormous transformations. Blockbusters like Raiders of the Lost Ark, E.T., and The Empire Strikes Back grabbed huge revenues for the studios. At the same time, the growth of home video led to new and creative opportunities for independent film production, resulting in many of the decade's best films. Bringing together original essays by ten respected scholars in the field, American Cinema of the 1980s examines the films that marked the decade, including Ordinary People, Body Heat, Blade Runner, Zelig, Platoon, Top Gun, Aliens, Blue Velvet, Robocop, Fatal Attraction, Die Hard, Batman, and sex, lies & videotape .
- Copyright year: 2007
Classical Film Violence
Designing and Regulating Brutality in Hollywood Cinema, 1930-1968
Rutgers University Press
Stephen Prince has written the first book to examine the interplay between the aesthetics and the censorship of violence in classic Hollywood films from 1930 to 1968, the era of the Production Code, when filmmakers were required to have their scripts approved before they could start production. He explains how Hollywood's filmmakers designed violence in response to the regulations of the Production Code and regional censors.
- Copyright year: 2003
Digital Visual Effects in Cinema
The Seduction of Reality
Rutgers University Press
Stephen Prince argues for an understanding of digital technologies as an expanded toolbox, available to enhance both realist films and cinematic fantasies. He offers a detailed exploration of each of these tools, from lighting technologies to image capture to stereoscopic 3D. Integrating aesthetic, historical, and theoretical analyses of digital visual effects, Digital Visual Effects in Cinema is an essential guide for understanding movie-making today.
- Copyright year: 2012
Tough Ain't Enough
New Perspectives on the Films of Clint Eastwood
Edited by Lester D. Friedman and David Desser
Rutgers University Press
Clint Eastwood has appeared in virtually every major film genre and, at this late point in his career, has emerged as one of America’s most popular and respected—though controversial—filmmakers. Tough Ain’t Enough offers readers a series of original essays by prominent cinema scholars who explore the actor-director’s extensive career.
- Copyright year: 2018
Savage Cinema
Sam Peckinpah and the Rise of Ultraviolent Movies
University of Texas Press
Stephen Prince explains the rise of explicit violence in the American cinema, its social effects, and the relation of contemporary ultraviolence to the radical, humanistic filmmaking that Peckinpah practiced.
- Copyright year: 1998
Apocalypse Cinema
Rutgers University Press
Covering such films as Metropolis, Dr. Strangelove, Contagion, and Avengers: Endgame, this book provides a lively overview of apocalypse cinema, including alien invasion movies, nuclear annihilation stories, and films where nature itself threatens humanity through climate change or deadly diseases.
- Copyright year: 2021
Art Direction and Production Design
Edited by Lucy Fischer
Rutgers University Press
It is impossible to imagine filmmaking without an understanding of the contributions of art direction and production design. In Art Direction and Production Design, six outstanding scholars survey the careers of notable art directors, the influence of specific design styles, the key roles played by particular studios and films in shaping the field, the effect of technological changes on production design, and the shifts in industrial modes of organization.
- Copyright year: 2015
Screening Violence
Edited by Stephen Prince
Rutgers University Press
Graphic cinematic violence is a magnet for controversy. From passionate defenses to outraged protests, theories abound concerning this defining feature of modern film: Is it art or exploitation, dangerous or liberating? Screening Violence provides an even-handed examination of the history, merits, and effects of cinematic “ultraviolence.”
- Copyright year: 2000
A Little Solitaire
John Frankenheimer and American Film
Rutgers University Press
Little Solitaire offers the only multidisciplinary critical account of Frankenheimer's oeuvre. Especially emphasized is his deep and passionate engagement with national politics and the irrepressible need of human beings to assert their rights and individuality in the face of organizations that would reduce them to silence and anonymity.
- Copyright year: 2011
Tough Ain't Enough
New Perspectives on the Films of Clint Eastwood
Edited by Lester D. Friedman and David Desser
Rutgers University Press
Clint Eastwood has appeared in virtually every major film genre and, at this late point in his career, has emerged as one of America’s most popular and respected—though controversial—filmmakers. Tough Ain’t Enough offers readers a series of original essays by prominent cinema scholars who explore the actor-director’s extensive career.
- Copyright year: 2018
A Dream of Resistance
The Cinema of Kobayashi Masaki
Rutgers University Press
A Dream of Resistance is the first book in English to explore Kobayashi Masaki’s entire career. Drawing from rare archives, including the young director’s wartime diary, Stephen Prince illuminates the political and religious dimensions of Kobayashi’s films and examines how their values were shaped by his intellectual history and upbringing.
- Copyright year: 2017
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