This engaging ethnography is set in the remote district of Toledo in Belize, Central America, where three women weave personal stories about the events in their lives. Each describes her experiences of motherhood, marriage, family illness, emigration, separation, work, or domestic violence that led her to recognize gender inequality and then to do something about it. All three challenge the culture of gender at home and in the larger community.

African American Essays from the 1920s

James Kelley tells the true stories of people who sought help from psychiatrists and ended up suing them for malpractice. These tales are compelling, tragic, and sometimes bizarre. They offer a unique view into a relationship that is normally confidential and caring––but can be catastrophic when it goes wrong.

Max Ophuls, who is considered one of the greatest film directors of all time, has long been seen as an “auteur”––the artist in complete control of his work. Lutz Bacher’s examination of his American career gives us a unique perspective on the workings of the Hollywood system and the struggle of a visionary to function within it. He thus establishes clear connections between the production contexts of Ophuls' American films and their idiosyncratic style.

Toumey focuses on the ways in which the symbols of science are employed to signify scientific authority in a variety of cases, from the selling of medical products to the making of public policy about AIDS/HIV––a practice he calls "conjuring" science. It is this "conjuring" of the images and symbols of scientific authority that troubles Toumey and leads him to reflect on the history of public understanding and perceptions of science in the United States.

Tunis has a long history of city life reaching back to ancient times. The Arabic language is firmly rooted among its inhabitants and most embrace the morals and culture of Islam. Behind Closed Doors presents forty-seven tales told by three Beldi women, members of a historic and highly civilized community, the city's traditional elite. Tale-telling is important to all Beldi women, and the book examines its role in their shared world and its significance in the lives of the three tellers.

Rocking the Boat is a celebration of strong, committed women who helped to build the American labor movement. Through the stories of eleven women from a wide range of backgrounds, we experience the turmoil, hardships, and accomplishments of thousands of other union women activists through the period spanning the Great Depression, the New Deal, World War II, the McCarthy era, the civil rights movement, and the women's movement. These women tell powerful stories that highlight and detail women's many roles as workers, trade unionists, and family members. They all faced difficulties in their personal lives, overcame challenges in their unions, and individually and collectively helped improve women's everyday working lives.

In this engaging and lively book, Stephen Hart paints a rich portrait of how everyday Christians connect their faith to political issues like economic equality, government intervention, and the rights of private enterprise. Drawing on interviews with forty-seven "ordinary" Christians--Roman Catholics, Evangelical and Pentecostal Protestants, mainline Protestants, and others--Hart argues that Christians do not always learn a conservative political perspective from their religion, as is often the stereotype. Rather, Christian traditions provide a reservoir of resources that supports such varied values as equality, community, individuality, and freedom. Hart profiles these individuals and allows them to explain in their own words how they use these values to formulate views on social justice issues, supporting political positions ranging from left to right. Hart also provides a new way of understanding how religion affects public discourse. This first paperback edition includes a new analysis of recent trends in religious politics, including the religious right and religiously-based movements for peace and justice.

In Cornerstones of Peace, Marla Brettschneider skillfully combines a lucid review of contemporary Liberal political theory and its understanding of the role of groups in the political process, a sophisticated analysis of Hobbesian philosophy, and a rich history of “alternative” Jewish activist groups like Breira and Americans for Peace Now (APN) to ask: What can we learn about identity and democratic theory from the changes that have taken place in the Jewish community?

The contributions to this book ask why indigenous methods of fertility control, often of questionable effectiveness, remain in widespread use in underdeveloped and developing countries. They concentrate on the cultural factors that affect women’s decisions about their own fertility, especially in societies which offer both folk and modern methods. The contributers are Elois Ann Berlin, Eugene B. Brody, C.H. Browner, Pamela A. Hunte, Setha M. Low and Bruce C. Newman, Lucile F. Newman, Chor-Swang Ngin, and Soheir Sukkary-Stolba

Masterpiece Theatre is the latest--and funniest--round in the culture wars. No member of Modern Language Association, lover of literature and literacy, cultural pundit, or talking head should be without a copy.

This highly readable analysis of the gender dimension in scientific careers––and its clear-headed advice––will be of great interest to everyone considering a career in science as well as to teachers, parents, and active scientists. Academics in sociology of science and gender studies as well as decision-makers in the areas of human resources and science policy will also welcome its discussions of general issues and policy recommendations.

This important new work is a study of the everyday lives of the inhabitants of São Paulo in the nineteenth century. Full of vivid detail, the book concentrates on the lives of working women--black, white, Indian, mulatta, free, freed, and slaves, and their struggles to survive.

What were the women of Germany doing during the Third Reich? What were they thinking? And what do they have to say a half century later?

In Frauen we hear their voices––most for the first time. Alison Owings interviewed and here records the words of twenty-nine German women who were there: Working for the Resistance. Joining the Nazi Party. Outsmarting the Gestapo. Disliking a Jewish neighbor. Hiding a Jewish friend. Witnessing "Kristallnacht." Witnessing the firebombing of Dresden. Shooting at Allied planes. Welcoming Allied troops. Being a prisoner. And being a guard. The women recall their own and others' enthusiasm, doubt, fear, fury, cowardice, guilt, and anguish.

Alison Owings, in her pursuit of such memories, was invited into the homes of these women. Because she is neither Jewish nor German, and because she speaks fluent colloquial German, many of the women she interviewed felt comfortable enough with her to unlock the past. What they have to say will surprise Americans, just as they surprised the women themselves.

Not since Marcel Ophuls's controversial film The Sorrow and the Pity have we been on such intimate terms with "the enemy." In this case, the story is that of the women, those who did not make policy but were forced to participate in its effects and to witness its results. What they did and did not do is not just a reflection on them and their country––it also leads us to question what actions we might have taken in their place. The interviews do not allow for easy, smug answers.