William Luhr
Showing 1-6 of 6 items.
The Maltese Falcon
John Huston, director
Edited by William Luhr
Rutgers University Press
Few films have had the impact or retained the popularity of The Maltese Falcon. An unexpected hit upon its release in 1941, it helped establish the careers of John Huston and Humphrey Bogart while also helping both to transform the detective genre of movies and to create film noir. This volume includes an introduction by its editor and a shot-by-shot continuity of the film, as well as essays on its production, on literary and film traditions it drew upon, and on its reputation and influence over the last half century.
- Copyright year: 1995
Headline Hollywood
A Century of Film Scandal
By Adrienne L. McLean and David A Cook
Rutgers University Press
Hollywood has long been associated with scandal--with covering it up, with managing its effects, and, in some cases, with creating and directing it. In putting together Headline Hollywood, Adrienne McLean and David Cook approach the relationship between Hollywood and scandal from a fresh perspective. The contributors consider some of the famous transgressions that shocked Hollywood and its audiences during the last century, and explore the changing meaning of scandal over time by zeroing in on issues of power: Who decides what crimes and misdemeanors should be circulated for public consumption and titillation? What makes a Hollywood scandal scandalous? What are the uses of scandal?
- Copyright year: 2001
Directing
Edited by Virginia Wright Wexman
Rutgers University Press
Directing examines a diverse range of classic and contemporary directors, including Orson Welles, Tim Burton, Cecil B. DeMille, Steven Soderbergh, Spike Lee, and Ida Lupino, and demonstrates how a century’s worth of Hollywood directors have negotiated changing film industry practices while harnessing the creative contributions of many collaborators.
- Copyright year: 2017
City That Never Sleeps
New York and the Filmic Imagination
Edited by Murray Pomerance
Rutgers University Press
New York, more than any other city, has held a special fascination for filmmakers and viewers. In every decade of Hollywood filmmaking, artists of the screen have fixated upon this fascinating place for its tensions and promises, dazzling illumination and fearsome darkness. From Street Scene and Breakfast at Tiffany's to Rosemary's Baby, The Warriors, and 25th Hour, the sixteen essays in this book explore the cinematic representation of New York as a city of experience, as a locus of ideographic characters and spaces, as a city of moves and traps, and as a site of allurement and danger.
- Copyright year: 2007
Screening Genders
The American Science Fiction Film
Edited by Krin Gabbard and William Luhr
Rutgers University Press
Gender roles have been tested, challenged, and redefined everywhere during the past thirty years, but perhaps nowhere more dramatically than in film. Screening Genders is a lively and engaging introduction to the evolving representations of masculinity, femininity, and places once thought to be "in between."
The first comprehensive overview of the history of gender theory in film, this book is an ideal text for courses and will serve as a foundation for further discussion among students and scholars alike.
The first comprehensive overview of the history of gender theory in film, this book is an ideal text for courses and will serve as a foundation for further discussion among students and scholars alike.
- Copyright year: 2008
Directing
Edited by Virginia Wright Wexman
Rutgers University Press
Directing examines a diverse range of classic and contemporary directors, including Orson Welles, Tim Burton, Cecil B. DeMille, Steven Soderbergh, Spike Lee, and Ida Lupino, and demonstrates how a century’s worth of Hollywood directors have negotiated changing film industry practices while harnessing the creative contributions of many collaborators.
- Copyright year: 2017
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