While many books have been written analyzing the scriptural and theological dimensions of the conflict, none has yet shown how it is being played out in the pews. Congregations in Conflict examines nine churches that were split by disagreements over gay and lesbian issues, and how the congregations resolved them. Hartman explores in very readable prose how different denominations have handled their conflicts and what it says about the nature of their faith. He shows some churches coming through their struggles stronger and more unified, while others irrevocably split. Most importantly, he illuminates how people with a passionate clash of beliefs can still function together as a community of faith.

Change--in population, economy, and culture--is sweeping through American communities. Corner groceries are stocking new foods. New roads are being built and Main Streets abandoned. Schools have come and gone, and old friends move away as strangers arrive. But in every community, no matter how volatile, religious institutions provide for their members places of moral guidance and spiritual nurture, civic participation, and identity.

How do congregations react to significant community change? Why do some religious institutions decline in the face of racial integration while others adapt and grow? How do congregations make sense of economic distress? Do they provide havens from community upheaval or vehicles for change? Congregation and Community is the most comprehensive study to date of congregations in the face of community transformation. Nancy Ammerman and her colleagues include stories of over twenty congregations in nine communities from across the nation, communities with new immigrant populations, growing groups of gays and lesbians, rapid suburbanization, and economic dislocations.

With almost half of the nation's population attending religious services each week, it is impossible to understand change in American society without a close look at congregations. Congregation and Community will exist as a standard resource for years to come, and clergy, academics, and general readers alike will benefit from its insights.

This engaging ethnography is set in the remote district of Toledo in Belize, Central America, where three women weave personal stories about the events in their lives. Each describes her experiences of motherhood, marriage, family illness, emigration, separation, work, or domestic violence that led her to recognize gender inequality and then to do something about it. All three challenge the culture of gender at home and in the larger community.

African American Essays from the 1920s

James Kelley tells the true stories of people who sought help from psychiatrists and ended up suing them for malpractice. These tales are compelling, tragic, and sometimes bizarre. They offer a unique view into a relationship that is normally confidential and caring––but can be catastrophic when it goes wrong.

Max Ophuls, who is considered one of the greatest film directors of all time, has long been seen as an “auteur”––the artist in complete control of his work. Lutz Bacher’s examination of his American career gives us a unique perspective on the workings of the Hollywood system and the struggle of a visionary to function within it. He thus establishes clear connections between the production contexts of Ophuls' American films and their idiosyncratic style.

Toumey focuses on the ways in which the symbols of science are employed to signify scientific authority in a variety of cases, from the selling of medical products to the making of public policy about AIDS/HIV––a practice he calls "conjuring" science. It is this "conjuring" of the images and symbols of scientific authority that troubles Toumey and leads him to reflect on the history of public understanding and perceptions of science in the United States.

Tunis has a long history of city life reaching back to ancient times. The Arabic language is firmly rooted among its inhabitants and most embrace the morals and culture of Islam. Behind Closed Doors presents forty-seven tales told by three Beldi women, members of a historic and highly civilized community, the city's traditional elite. Tale-telling is important to all Beldi women, and the book examines its role in their shared world and its significance in the lives of the three tellers.

Rocking the Boat is a celebration of strong, committed women who helped to build the American labor movement. Through the stories of eleven women from a wide range of backgrounds, we experience the turmoil, hardships, and accomplishments of thousands of other union women activists through the period spanning the Great Depression, the New Deal, World War II, the McCarthy era, the civil rights movement, and the women's movement. These women tell powerful stories that highlight and detail women's many roles as workers, trade unionists, and family members. They all faced difficulties in their personal lives, overcame challenges in their unions, and individually and collectively helped improve women's everyday working lives.

In this engaging and lively book, Stephen Hart paints a rich portrait of how everyday Christians connect their faith to political issues like economic equality, government intervention, and the rights of private enterprise. Drawing on interviews with forty-seven "ordinary" Christians--Roman Catholics, Evangelical and Pentecostal Protestants, mainline Protestants, and others--Hart argues that Christians do not always learn a conservative political perspective from their religion, as is often the stereotype. Rather, Christian traditions provide a reservoir of resources that supports such varied values as equality, community, individuality, and freedom. Hart profiles these individuals and allows them to explain in their own words how they use these values to formulate views on social justice issues, supporting political positions ranging from left to right. Hart also provides a new way of understanding how religion affects public discourse. This first paperback edition includes a new analysis of recent trends in religious politics, including the religious right and religiously-based movements for peace and justice.

In Cornerstones of Peace, Marla Brettschneider skillfully combines a lucid review of contemporary Liberal political theory and its understanding of the role of groups in the political process, a sophisticated analysis of Hobbesian philosophy, and a rich history of “alternative” Jewish activist groups like Breira and Americans for Peace Now (APN) to ask: What can we learn about identity and democratic theory from the changes that have taken place in the Jewish community?

The contributions to this book ask why indigenous methods of fertility control, often of questionable effectiveness, remain in widespread use in underdeveloped and developing countries. They concentrate on the cultural factors that affect women’s decisions about their own fertility, especially in societies which offer both folk and modern methods. The contributers are Elois Ann Berlin, Eugene B. Brody, C.H. Browner, Pamela A. Hunte, Setha M. Low and Bruce C. Newman, Lucile F. Newman, Chor-Swang Ngin, and Soheir Sukkary-Stolba

Masterpiece Theatre is the latest--and funniest--round in the culture wars. No member of Modern Language Association, lover of literature and literacy, cultural pundit, or talking head should be without a copy.