Robert Eberwein

Showing 1-5 of 5 items.

The War Film

Rutgers University Press

In The War Film, Robert Eberwein brings together essays by scholars using a variety of critical approaches to explore this enduringly popular film genre. Contributors examine the narrative and aesthetic elements of war films from four perspectives: consideration of generic conventions in works such as All Quiet on the Western FrontBataan, and The Thin Red Line; treatment of race in various war films, including Glory, Home of the BravePlatoon, and Hamburger Hill; aspects of gender, masculinity and feminism in The Red Badge of CourageRamboDogfight, and Courage under Fire; and analysis of the impact of contemporary history on the production and reception of films such as The Life and Times of Rosie the RiveterSaving Private Ryan, and We Were Soldiers.

  • Copyright year: 2004
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Acting for America

Movie Stars of the 1980s

Edited by Robert Eberwein; Introduction by Robert Eberwein
Rutgers University Press

Acting for America focuses on the way film icons have engaged in and defined some major issues of cultural and social concern to America during the 1980s. Scholars employing a variety of useful approaches explore how these movie stars' films speak to an increased audience awareness of advances in feminism, new ideas about masculinity, and the complex political atmosphere in the Age of Reagan. The essays demonstrate the range of these stars' contributions to such conversations in a variety of films, including blockbusters and major genres.

  • Copyright year: 2010
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Armed Forces

Masculinity and Sexuality in the American War Film

Rutgers University Press

In war films, the portrayal of deep friendships between men is commonplace. Given the sexually anxious nature of the American imagination, such bonds are often interpreted as carrying a homoerotic subtext. In Armed Forces , Robert Eberwein argues that an expanded conception of masculinity and sexuality is necessary in order to understand more fully the intricacy of these intense and emotional human relationships. 

  • Copyright year: 2007
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Sex Ed

Film, Video, and the Framework of Desire

Rutgers University Press

Eberwein starts his investigation in the silent and early sound eras with educational films used both to warn audiences about venereal disease and to provide basic contraception information. World War II movies, he states, waged their own war against venereal disease-in the armed services and at home. Newer works deal with birth control and focus in particular on AIDS.

Sex Ed also highlights the classroom. Eberwein draws connections between the earliest and most recent examples of educational films as he analyzes their ideological complexity. He concludes by examining marriage-manual films of the early 1970s and very recent videos for couples and individuals seeking instruction in sexual techniques to increase pleasure.

  • Copyright year: 1999
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Screening Genders

The American Science Fiction Film

Rutgers University Press

Gender roles have been tested, challenged, and redefined everywhere during the past thirty years, but perhaps nowhere more dramatically than in film. Screening Genders is a lively and engaging introduction to the evolving representations of masculinity, femininity, and places once thought to be "in between."

The first comprehensive overview of the history of gender theory in film, this book is an ideal text for courses and will serve as a foundation for further discussion among students and scholars alike.

  • Copyright year: 2008
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