Bruce Andrews and Charles Bernstein's L=A=N=G=U=A=G=E: The Complete Facsimile makes available in print all twelve of the newsletter's original issues along with three supplementary issues.

Circling the Canon, Volume II focuses on the second half of Marjorie Perloff's prolific career, showcasing reviews from 1995 through her 2017 reconsiderations of Jonathan Culler's theory of the lyric and William Empson's classic Seven Types of Ambiguity.

Circling the Canon, Volume I covers roughly the first half of Perloff's career, beginning with her first ever review, on Anthony Hecht's The Hard Hours.

The essays in Inciting Poetics provide provocative answers to the book's opening question, "What are poetics now?"

Written between 1970 and 1978, these letters detail the development of the concepts and styles that came to define one of the most influential movements in post-1960s writing.

Their intense epistolary relationship between Srinivas Rayaprol and William Carlos Williams, lasting almost a decade and little known up to now, is chronicled in this edition of their letters.

Now in a new edition, this beautiful, interactive collaboration is a unique work of book art in which Marisol's monumental pop-art sculptures face the blocks of Creeley's prose poems.

This study examines the theoretical underpinnings of Robert Duncan's poetry and poetics.

Foregrounding Loy's critical interrogation of Futurist, Dadaist, Surrealist, and "Degenerate" artisthood, and exploring her poetic legacies today, Curious Disciplines reveals Loy's importance in an entirely novel way.

These transcribed talks pay tribute to Olson and expand our knowledge of Duncan's vision of modernist writing.

The 130 letters collected in this volume begin in 1947 just after Robert Duncan and Charles Olson first meet in Berkeley, California, and continue to Olson's death in January 1970.

In The Olson Codex, Tedlock describes and examines Olson's efforts to decipher Mayan hieroglyphics, giving Olson's work in Mexico the place it deserves within twentieth-century poetry and poetics.

Edited by poet and scholar Ryan Dobran, this volume of correspondence between the American poet Charles Olson (1910-1970) and the English poet J. H. Prynne (b. 1936) sheds light on a little-known but incredibly influential aspect of twentieth-century transatlantic literary culture.

In this book the poets, editors, writers, composers, and teachers who knew the couple consider their encounters and relationships with George and Mary Oppen.