This book demonstrates that James Joyce’s Ulysses is a book that imitates the workings of the human mind, connecting close readings of the novel’s text to psychological theories of Joyce’s time.

Approaching James Joyce’s Finnegans Wake with attention to the theme of guilt, Talia Abu presents a clear and thorough interpretation of the work that shows the importance of the theme to Joyce’s craft.

This book offers the first critical edition of the forty short texts James Joyce called “epiphanies.” Presenting the texts with background information and thorough annotations, this edition provides a vivid insight into Joyce’s art.

Using genetic criticism, an approach focused on the materiality of the writing process, this book shows how the creative process of modernist writer James Joyce can be reconstructed from his manuscripts.

In this book, Neil Davison argues that Albert Altman, a Dublin-based businessman and Irish nationalist, influenced James Joyce’s creation of the character of Leopold Bloom as well as Ulysses’ broader themes surrounding race, nationalism, and empire.

In this book, Fran O’Rourke examines the influence of Aristotle and Thomas Aquinas on James Joyce, arguing that both thinkers fundamentally shaped the philosophical outlook which pervades the author’s oeuvre.

In this book, the first to explore the role of disability in the writings of James Joyce, contributors examine the varying ways in which Joyce’s texts represent disability and the environmental conditions of his time that stigmatized, isolated, and othered individuals with disabilities.

This book sheds light on how the text and physical design of James Joyce’s two most challenging works, Ulysses and Finnegans Wake, reflect changes that transformed Europe between World War I and II.

This innovative analysis shows how James Joyce uses the language of prayer to grapple with intangible things in his dreamlike masterpiece Finnegans Wake. Colleen Jaurretche moves beyond what scholars know about how Joyce wrote this work to suggest exactly why it follows the order it does in its finished form.

This book is the first in-depth study of the forty short texts James Joyce called “epiphanies.” Sangam MacDuff argues that the epiphanies are an important point of origin for Joyce’s entire body of work, showing how they shaped the structure, style, and language of his later writings.

Joyce and Geometry reveals the full extent to which the modernist writer James Joyce was influenced by the radical theories of non-Euclidean geometry. Tracing Joyce’s obsession with measuring and mapping space throughout his works, Ciaran McMorran delves into a major theme in Joyce’s work that has not been thoroughly explored until now.

Making the case that legal issues are central to James Joyce’s life and work, international experts in law and literature offer new insights into Joyce’s most important texts. They analyze Dubliners, A Portrait of the Artist as a Young Man, Giacomo Joyce, Ulysses, and Finnegans Wake in light of the legal contexts of Joyce’s day.