We Gon’ Be Alright: Resistance and Healing in Black Movement Spaces, 2012–2021 opens up the inner lives of Black activists and organizers to share their survival struggles and strategies for collective thriving. Rev. Dr. Stephanie M. Crumpton explores these dynamics during a period of Black radicalism that emerged with the election of the first Black president of the United States, white racist retaliation, social upheaval over police violence, and the impact of the COVID-19’s exposure of deep social inequities.  

Betrayal U: The Politics of Belonging in Higher Education is a timely and incisive anthology edited by Rebecca G. Martínez and Monica J. Casper. This groundbreaking volume dives into the heart of institutional betrayal within academia, offering a diverse range of narratives, art, and poetry that address why belonging matters in higher education.
 

Reflecting on the concept of frontera madre(hood) as both a methodological and theoretical framework, this collection embodies the challenges and resiliency of mothering along both sides of the U.S.-Mexico border. More than thirty contributors examine how mothering is shaped by the geopolitics of border zones, which also transcends biological, sociological, or cultural and gendered tropes regarding ideas of motherhood, who can mother, and what mothering personifies.

Deliberately writing against archival erasure and death-driven logics of anti-Blackness, this volume chronicles Black women’s aliveness, ethics of care, and rituals of healing. The nineteen contributors from interdisciplinary fields and diverse backgrounds situate Black women’s multidimensional experiences with COVID-19 and other violences that affect their lives. The stories they tell are connected and interwoven, bound together by anti-Black gendered COVID necropolitics and commitments to creating new spaces for breathing, healing, and wellness.
 

Lavender Fields uses autoethnography to explore how Black girls and women are living with and through COVID-19. It centers their pain, joys, and imaginations for a more just future as we confront all the inequalities that COVID-19 exposes.

In 1981, Chicana feminist intellectuals Cherríe Moraga and Gloria Anzaldúa published what would become a foundational legacy for generations of feminist women of color—the seminal This Bridge Called My Back: Writings by Radical Women of Color. To celebrate and honor this important work, editors gloria j. wilson, Joni B. Acuff, and Amelia M. Kraehe offer new generations A Love Letter to This Bridge Called My Back.