Bold Ideas, Essential Reading since 1936.

Rutgers University Press is dedicated to the advancement and dissemination of knowledge for a wide range of readers. The Press reflects and extends the University’s core mission of research, instruction, and service. They enhance the work of their authors through exceptional publications that shape critical issues, spark debate, and enrich teaching. Core subjects include: film and media studies, sociology, anthropology, education, history, health, history of medicine, human rights, urban studies, criminal justice, Jewish studies, American studies, women's, gender, and sexuality studies, LGBTQ, Latino/a, Asian and African studies, as well as books about New York, New Jersey, and the region.

Rutgers also distributes books published by Bucknell University Press.

Showing 1,941-1,960 of 2,552 items.

Black Magic

White Hollywood and African American Culture

Rutgers University Press

As Krin Gabbard brilliantly reveals in Black Magic, we duly recognize the cultural heritage of African Americans in literature, music, and art, but there is a disturbing pattern in the roles that blacks are asked to play-particularly in the movies. Many recent films, including The Matrix, Fargo, The Green Mile, Ghost, The Talented Mr. Ripley, Pleasantville, The Bridges of Madison County, and Crumb, reveal a fascination with black music and sexuality even as they preserve the old racial hierarchies. Quite often the dependence on African American culture remains hidden-although it is almost perversely pervasive. In the final chapters of Black Magic, Gabbard looks at films by Robert Altman and Spike Lee that attempt to reverse many of these widespread trends.

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Encyclopedia of New Jersey

Rutgers University Press

Everything you've ever wanted to know about the Garden State can now be found in one place. This encyclopedia contains a wealth of information from New Jersey's prehistory to the present covering architecture, arts, biographies, commerce, arts, municipalities, and much more.

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Happy Days and Wonder Years

The Fifties and the Sixties in Contemporary Cultural Politics

Rutgers University Press

In the twenty-first century, why do we keep talking about the Fifties and the Sixties? The stark contrast between these decades, their concurrence with the childhood and youth of the baby boomers, and the emergence of television and rock and roll help to explain their symbolic power. In Happy Days and Wonder Years, Daniel Marcus reveals how interpretations of these decades have figured in the cultural politics of the United States since 1970.

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Buying In or Selling Out?

The Commercialization of the American Research University

Edited by Donald G. Stein
Rutgers University Press

Universities were once ivory towers where scholarship and teaching reigned supreme, or so we tell ourselves. Whether they were ever as pure as we think, it is certainly the case that they are pure no longer. Administrators look to patents as they seek money by commercializing faculty discoveries; they pour money into sports with the expectation that these spectacles will somehow bring in revenue; they sign contracts with soda and fast-food companies, legitimizing the dominance of a single brand on campus; and they charge for distance learning courses that they market widely. In this volume, edited by Donald G. Stein, university presidents and others in higher education leadership positions comment on the many connections between business and scholarship when intellectual property and learning is treated as a marketable commodity. 

 

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Amy Lowell, American Modern

Rutgers University Press

Amy Lowell, American Modern offers the most sustained examination of Lowell to date. It returns her to conversation and to literary history where she belongs.

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Sweated Work, Weak Bodies

Anti-Sweatshop Campaigns and Languages of Labor

Rutgers University Press

Sweated Work, Weak Bodies is the first book on the origins of sweatshops, exploring how they came to represent the dangers of industrialization and the perils of immigration. It is an innovative study of the language used to define the sweatshop, how these definitions shaped the first anti-sweatshop campaign, and how they continue to influence our current understanding of the sweatshop.

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The Promise Keepers

Servants, Soldiers, and Godly Men

Rutgers University Press

“Remember the Promise Keepers?” queries a recent media story on the evangelical men’s movement that captured America’s imagination and generated intense controversy during much of the 1990s. John P. Bartkowski has written the first account scrutinizing the turbulent forces that contributed to the group’s wild popularity, declining fortunes, and current efforts to reinvent itself.

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The Horror Film

Edited by Stephen Prince
Rutgers University Press

In this volume, Stephen Prince has collected essays reviewing the history of the horror film and the psychological reasons for its persistent appeal, as well as discussions of the developmental responses of young adult viewers and children to the genre. The book focuses on recent postmodern examples such as The Blair Witch Project. In a daring move, the volume also examines Holocaust films in relation to horror.

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Do You Really Need Surgery?

A Sensible Guide to Hysterectomy and Other Procedures for Women

Rutgers University Press

At last, here is a user-friendly guide to gynecologic surgery. Using anecdotes drawn from a combined fifty years of experience, doctors Moore and de Costa provide clear and accurate information about women's anatomy, physiology, common gynecological ailments, diagnosis, alternative treatments, and, finally, full details about surgery itself.

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When Borne Across

Literary Cosmopolitics in the Contemporary Indian Novel

Rutgers University Press

India’s 1997 celebration of the Golden Jubilee marked fifty years of independence from British colonial rule. This anniversary is the impetus for Bishnupriya Ghosh’s exploration of the English language icons of South Asian post-colonial literature: Salman Rushdie, Vikram Chandra, Amitav Ghosh, Upamanyu Chatterjee, and Arundhati Roy. These authors, grouped together as South Asian cosmopolitical writers, produce work challenging and expanding preconceived notions of Indian cultural identity, while being sold simultaneously as popular English literature within the global market. This commodification of Indian language and identity reinforces incomplete and simplified images of India and its writers, and at times counteracts the expressed agenda of the writers. In When Borne Across, Ghosh focuses on the politics of language and history, and the related processes of translation and migration within the global network. In so doing, she develops a new approach to literary studies that adapts conventional literary analysis to the pressures, constraints, and liberties of our present era of globalization.

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Hearts of Darkness

White Women Write Race

Rutgers University Press

In this book, one of modernism's most insightful critics, Jane Marcus, examines the writings of novelists such as Virginia Woolf, Nancy Cunard, Mulk Raj Anand, and Djuna Barnes-artists whose work coincided with the end of empire and the rise of fascism before the Second World War. All these writers delved into the "dark hearts" of imperialism and totalitarianism, thus tackling some of the most complex cultural issues of the day. Marcus investigates previously unrecognized ways in which social and political tensions are embodied by their works.

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The Medical Delivery Business

Health Reform, Childbirth, and the Economic Order

Rutgers University Press

 Americans at the end of the twentieth century worried that managed care had fundamentally transformed the character of medicine. In The Medical Delivery Business, Barbara Bridgman Perkins uses examples drawn from maternal and infant care to argue that the business approach in medicine is not a new development. Health care reformers throughout the century looked to industrial, corporate, and commercial enterprises as models for the institutions, specialties, and technological strategies that defined modern medicine.

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Black Women, Identity, and Cultural Theory

(Un)Becoming the Subject

Rutgers University Press

 In Black Women, Identity, and Cultural Theory, Kevin Everod Quashie explores the metaphor of the “girlfriend” as a new way of understanding three central concepts of cultural studies: self, memory, and language. He considers how the work of writers such as Toni Morrison, Ama Ata Aidoo, Dionne Brand, photographer Lorna Simpson, and many others, inform debates over the concept of identity. Quashie argues that these authors and artists replace the notion of a stable, singular identity with the concept of the self developing in a process both communal and perpetually fluid, a relationship that functions in much the same way that an adult woman negotiates with her girlfriend(s). He suggests that memory itself is corporeal, a literal body that is crucial to the process of becoming. Quashie also explores the problem language poses for the black woman artist and her commitment to a mastery that neither colonizes nor excludes.

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Rethinking Childhood

Rutgers University Press

In Rethinking Childhood, twenty contributors, coming from the disciplines of anthropology, government, law, psychology, education, religion, philosophy, and sociology, provide a multidisciplinary view of childhood by listening and understanding the ways children shape their own futures. Topics include education, poverty, family life, divorce, neighborhood life, sports, the internet, and legal status.

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Inspecting Jews

American Jewish Detective Stories

Rutgers University Press

In this book, Laurence Roth argues that the popular genre of Jewish detective stories offers new insights into the construction of ethnic and religious identity. Roth frames his study with the concept of “kosher hybridity” to look at the complex process of mediation between Jewish and American culture in which Jewish writers voice the desire to be both different from and yet the same as other Americans. 

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Sapphic Primitivism

Productions of Race, Class, and Sexuality in Key Works of Modern Fiction

Rutgers University Press

In this book, Robin Hackett examines portrayals of race, class, and sexuality in modernist texts by white women to argue for the existence of a literary device that she calls “Sapphic primitivism.” The works vary widely in their form and content and include Olive Schreiner’s proto-modernist exploration of New Womanhood, The Story of an African Farm; Virginia Woolf’s high modernist “play-poem,” The Waves; Sylvia Townsend Warner’s historical novel, Summer Will Show; and Willa Cather’s Southern pastoral, Sapphira and the Slave Girl.

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Public Dollars, Private Stadiums

The Battle over Building Sports Stadiums

Rutgers University Press

Delaney and Eckstein show that in the face of studies demonstrating that new sports facilities don’t live up to their promise of big money, proponents are using a new tactic to win public subsidies and intangible “social” rewards, such as prestige and community cohesion. The authors find these to be empty promises as well, demonstrating that new stadiums may exacerbate, rather than erase, social problems in cities.

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A Vital Force

Women in American Homeopathy

Rutgers University Press

Homeopathy, as a medical system, presented a significant institutional and economic challenge to conventional medicine in the nineteenth century. Although contemporary critics portrayed homeopathic physicians as part of a sect whose treatment of disease was beyond the pale of acceptable medical practice, homeopathy was in many ways similar to established medicine. Anne Taylor Kirschmann explores the strategic choices and consequences for women practitioners. Not only were female homeopaths respected within their communities, they also enjoyed considerable professional advantages not available to women within regular medicine.

A Vital Force: Women in American Homeopathy offers a new interpretation of women’s roles in modern medicine. Kirschmann strengthens and clarifies the history of homeopathic women physicians and creates a framework of comparison to “regular,” or orthodox, physicians. Women medical practitioners chose homeopathy in dramatic numbers from the mid-nineteenth through the early twentieth centuries, although the reasons for this preference varied over time. Linked to social reform movements in the nineteenth century, anti-modernism in the late nineteenth and early twentieth, and countercultural ideals of the 1960s and 1970s, women's advocacy of homeopathy has been intertwined with broad social and cultural issues in American society.

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Italian American Writers on New Jersey

An Anthology of Poetry and Prose

Rutgers University Press

This anthology gathers fiction, poetry, memoirs, oral histories, and journalistic pieces by some of the best writers to chronicle the Italian American experience in the Garden State. These works focus on ethnic identity and the distinctive culture of New Jersey, which has long been home to a large and vital Italian American community.

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Classical Film Violence

Designing and Regulating Brutality in Hollywood Cinema, 1930-1968

Rutgers University Press

Stephen Prince has written the first book to examine the interplay between the aesthetics and the censorship of violence in classic Hollywood films from 1930 to 1968, the era of the Production Code, when filmmakers were required to have their scripts approved before they could start production. He explains how Hollywood's filmmakers designed violence in response to the regulations of the Production Code and regional censors.

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