Ashis Nandy, one of India’s foremost public intellectuals, contends in this book that India’s political and cultural élites have been trying to impose a secular ideology on their country. This ideology makes little sense to most Indians, who have their own religious and cultural lives, their own diverse pasts, and their own principles of tolerance and hospitality.

Religious extremists have exploited this tension by offering packaged forms of ancient faiths, with ready-made theories of violence and hatred. The resulting clash has fragmented Indians’ views of their precolonial past as well as their increasingly globalized present. In a country with deep roots in legendary pasts, some of these pasts have been made “silent” or “evasive” in the service of modern ideological agendas. They are no longer as easily drawn upon to oppose the forces of intolerance and hatred.

Most of the essays survey the ways in which India’s colonial secularism has produced some of the conditions for the current rise of Hindu nationalism. He shows how both religious nationalists and secular modernists have employed the colonial state’s ideology-producing power to blend the “religious” and “secular” domains. In the process, the indigenous traditions battling sectarianism and religious extremism have been marginalized. Nandy argues that it is possible to reclaim India’s rich, multicultural pasts and alternative forms of cosmopolitanism in order to rescue a truly multicultural present.

The American Womans Home, originally published in 1869, was one of the late nineteenth centurys most important handbooks of domestic advice. The result of a collaboration by two of the eras most important writers, this book represents their attempt to direct womens acquisition and use of a dizzying variety of new household consumer goods available in the postCivil War economic boom. It updates Catharine Beechers influential Treatise on Domestic Economy (1841) and incorporates domestic writings by Harriet Beecher Stowe first published in The Atlantic in the 1860s.

Into Our Own Hands traces the womens health care movement in the United States. Richly documented, this study is based on more than a decade of research, including interviews with leading activists; documentary material from feminist health clinics and advocacy organizations; a survey of womens health movement organizations in the early 1990s; and ethnographic fieldwork. 

 The Montclair Art Museum — heralded by Art and Antiques as “ . . . a model of the best that America’s regional museums have to offer today” — has been a significant visual arts center for more than eighty-five years. Established in 1914 as the Garden State’s first public art museum with the vision and generosity of community leaders and pioneering collectors of American and native American Art, the Museum’s holdings have become an important cultural repository both for New Jersey and the nation. Many devotees of American art have enjoyed the Museum’s individual works at different exhibits around the country. This volume combines Native and other American art within a range of artistic media in provocative and insightful ways, and its commentaries reflect the careful scholarship and commitment to public education for which the Museum is well known.

Students do months of research before choosing just the right college, but once theyre on campus, how many of them actually research the professors who are teaching their classes? To optimize your college education you need to find your schools best teachers but how? What Every College Student Should Know is a guide to discovering the best teachers at your school and learning everything you can from them. Here, the unique writing combination of a professor and a student provides you with perspectives from both sides of the equation.

The ancient practice of sati — the self-immolation of a woman on her husband’s funeral pyre — was outlawed by the British administration in India in 1829, and sati was widely believed to have died out. The fate of 18-year-old Roop Kanwar changed that perception. Mala Sen explores the reality of life and death for women in modern India in a study that is both illuminating and terrifying.