Jean Lee Cole

Showing 1-3 of 3 items.

Zora Neale Hurston

Collected Plays

Rutgers University Press

though she died penniless and forgotten, Zora Neale Hurston is now recognized as a major figure in African American literature. Best known for her 1937 novel Their Eyes Were Watching God, she also published numerous short stories and essays, three other novels, and two books on black folklore.

            Even avid readers of Hurston’s prose, however, may be surprised to know that she was also a serious and ambitious playwright throughout her career. Although several of her plays were produced during her lifetime—and some to public acclaim—they have languished in obscurity for years. Even now, most critics and historians gloss over these texts, treating them as supplementary material for understanding her novels. Yet, Hurston’s dramatic works stand on their own merits and independently of her fiction.

            Now, eleven of these forgotten dramatic writings are being published together for the first time in this carefully edited and annotated volume. Filled with lively characters, vibrant images of rural and city life, biblical and folk tales, voodoo, and, most importantly, the blues, readers will discover a “real Negro theater” that embraces all the richness of black life.

  • Copyright year: 2008
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'Madame Butterfly' and 'A Japanese Nightingale'

Two Orientalist Texts

Rutgers University Press

Madame Butterfly (1898) and A Japanese Nightingale (1901) both appeared at the height of American fascination with Japanese culture. These two novellas are paired here together for the first time to show how they defined and redefined contemporary misconceptions of the "Orient." This is the first reprinting of A Japanese Nightingale since its 1901 appearance, when it propelled Winnifred Eaton (using the pseudonym Onoto Watanna) to fame. John Luther Long's Madame Butterfly introduced American readers to the figure of the tragic geisha who falls in love with, and is then rejected by, a dashing American man; the opera Puccini based upon this work continues to enthrall audiences worldwide.

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Freedom's Witness

The Civil War Correspondence of Henry McNeal Turner

Edited by Jean Lee Cole; Foreword by Aaron Sheehan-Dean
West Virginia University Press

In a series of columns published in the African American newspaper The Christian Recorder, the young, charismatic preacher Henry McNeal Turner described his experience of the Civil War, first from the perspective of a civilian observer in Washington, D.C., and later, as one of the Union army’s first black chaplains. In the halls of Congress, Turner witnessed the debates surrounding emancipation and black enlistment. As army chaplain, Turner dodged “grape” and cannon, comforted the sick and wounded, and settled disputes between white southerners and their former slaves. He was dismayed by the destruction left by Sherman’s army in the Carolinas, but buoyed by the bravery displayed by black soldiers in battle. After the war ended, he helped establish churches and schools for the freedmen, who previously had been prohibited from attending either. Throughout his columns, Turner evinces his firm belief in the absolute equality of blacks with whites and insists on civil rights for all black citizens. In vivid, detailed prose, laced with a combination of trenchant commentary and self-deprecating humor, Turner established himself as more than an observer: he became a distinctive and authoritative voice for the black community, and a leader in the African Methodist Episcopal church. 

  • Copyright year: 2013
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