Bringing exciting new perspectives to how and why Hollywood has sought to repicture American history, this book offers analysis of more than twenty mainstream contemporary films, including The Patriot, Amistad, Glory, Ride with the Devil, Cold Mountain, Saving Private Ryan, TheThin Red Line, Pearl Harbor, U-571, Platoon, Born on the Fourth of July, Heaven and Earth, JFK, Nixon, Malcolm X, Ali, Black Hawk Down, and Three Kings. Both authoritative and engaging, American History and Contemporary Hollywood Film is the first book to comprehensively explore the post-cold war period of filmmaking, and to navigate the complex ways that film mediates history—sometimes challenging or questioning, but more frequently reaffirming traditional interpretations.

Reprints of the most influential recent work in the field as well as more than a dozen newly commissioned essays explore theoretical issues, current research, service provision, and activism among Latinos, African Americans, Asian Americans, Jewish Americans, and lesbians. The volume rejects simplistic analyses of the role of culture in domestic violence by elucidating the support systems available to battered women within different cultures, while at the same time addressing the distinct problems generated by that culture. Together, the essays pose a compelling challenge to stereotypical images of battered women that are racist, homophobic, and xenophobic.

Jeffrey K. McKee contends yes. The more people there are, the more we push aside wild plants and animals. In Sparing Nature, he explores the cause-and-effect relationship between these two trends, demonstrating that nature is too sparing to accommodate both a richly diverse living world and a rapidly expanding number of people. 

Enduring Roots tells the stories of historic American trees, including the oak, the apple, the cherry, and the oldest of the world’s trees, the bristlecone pine. These stories speak of our attachment to the land, of our universal and eternal need to leave a legacy, and demonstrate that the landscape is a gift, to be both received and, sometimes, tragically, to be destroyed.

In Not-So-Nuclear Families: Class, Gender, and Networks of Care, Karen V. Hansen investigates the lives of working parents and the informal networks they construct to help care for their children. She chronicles the conflicts, hardships, and triumphs of four families of various social classes. Each must navigate the ideology that mandates that parents, mothers in particular, rear their own children, in the face of an economic reality that requires that parents rely on the help of others. In vivid family stories, parents detail how they and their networks of friends, paid caregivers, and extended kin collectively close the "care gap" for their school-aged children.

In an account rich with illustrations, John Hoffecker traces the history of anatomical adaptations, diet modifications, and technological developments, such as clothing and shelter, which allowed humans the continued ability to push the boundaries of their habitation. Written in nontechnical language, A Prehistory of the North provides compelling new insights and valuable information for professionals and students.

Why are there proportionally more African American children in foster care than white children? Why are white children often readily adoptable, while African American children are difficult to place? Are these imbalances an indication of institutional racism or merely a coincidence?

In this revised and expanded edition of the classic volume, Child Welfare, twenty-one educators call attention to racial disparities in the child welfare system by demonstrating how practices that are successful for white children are often not similarly successful for African American children. Moreover, contributors insist that policymakers and care providers look at African American family life and child-development from a culturally-based Africentric perspective. Such a perspective, the book argues, can serve as a catalyst for creativity and innovation in the formulation of policies and practices aimed at improving the welfare of African American children.

Child Welfare Revisited offers new chapters on the role of institutional racism and economics on child welfare; the effects of substance abuse, homelessness, HIV/AIDS, and domestic violence; and the internal strengths and challenges that are typical of African American families. Bringing together timely new developments and information, this book will continue to be essential reading for all child welfare policymakers and practitioners.

Outside of the classroom and scholarly publications, lynching has long been a taboo subject. Nice people, it is felt, do not talk about it, and they certainly do not look at images representing the atrocity.

In Imagery of Lynching, Dora Apel contests this adopted stance of ignorance.

Resurgent Voices in Latin America offers new insight into the dynamics of indigenous social movements and into the complex and changing world of Latin American religions. The essays show that religious beliefs, practices, and institutions have both affected and been affected by political activism.

Arguing that the sweatshop is as American as apple pie, Laura Hapke surveys over a century and a half of the language, verbal and pictorial, in which the sweatshop has been imagined and its stories told. Not seeking a formal definition of the sort that policymakers are concerned with, nor intending to provide a strict historical chronology, this unique book shows, rather, how the “real” sweatshop has become intertwined with the “invented” sweatshop of our national imagination, and how this mixture of rhetoric and myth has endowed American sweatshops with rich and complex cultural meaning. An important contribution to the real and imagined history of garment industry exploitation, this book provides a valuable new context for understanding contemporary sweatshops that now represent the worst expression of an unregulated global economy.

What did it mean for people of color in nineteenth-century America to speak or write "white"? More specifically, how many and what kinds of meaning could such "white" writing carry? In ReWriting White, Todd Vogel looks at how America has racialized language and aesthetic achievement.