L.A. Private Eyes examines the tradition of the private eye as it evolves in films, books, and television shows set in Los Angeles from the 1930’s through the present day. This book explores the metamorphosis of the solitary detective figure and the many facets of the genre itself.  

Stephen Prince offers a clear, concise account of how digital cinema both extends longstanding traditions of filmmaking and challenges fundamental assumptions about film. In the process, he raises provocative questions about the emergence of virtual reality, the future of film preservation, and the status of realism in digital cinema.  

Comic Book Movies investigates the genre’s powerful appeal to today’s moviegoers. Examining not only superhero movies, but also adaptations of indie comics and graphic novels, Blair Davis assesses their aesthetic innovations and tells how they have transformed the film industry.  

Monster Cinema introduces readers to a vast menagerie of movie monsters, from gigantic beasts to microscopic parasites, from grotesque demons to normal-looking serial killers. Film expert Barry Keith Grant considers what each type of movie monster might reveal about how we regard the natural, the supernatural, and the human.  

Tracking the revitalization of the British horror film industry over the past two decades, Steven Gerrard examines the genre’s highlights, including The Descent, Outpost, and The Woman in Black, while provocatively exploring how these films reflect viewers’ gravest fears about the state of the nation.  

Are the remakes, sequels, reboots, and franchises flooding Hollywood simply crass commercial products, or do they offer filmmakers a unique opportunity to inject timely social commentary, imaginative twists, and diversity into established media properties? Herbert examines the long history of remakes and identifies what’s distinctive about our current franchise-heavy era.  

This book offers an eclectic look at how rock ‘n’ roll and its fans have been represented in B-movies, blockbusters, biopics, documentaries, and experimental films. David Sterritt explores how rock ‘n’ roll movies kept pace with rapidly changing musical trends, helping to fuel a worldwide revolution in youth culture.  

New African Cinema examines the pressing social, cultural, economic, and historical issues explored by African filmmakers in the new millennium by offering an overview of the development of postcolonial African cinema as it has evolved since the 1960s into the new medium, known as “new African cinema,”  it is today. 
 

In Digital Music Videos, Steven Shaviro surveys a wide range of music videos, highlighting some of their most striking innovations. In sampling and reworking a century’s worth of movies and other pop culture artifacts, these videos create a whole new digital world for the music industry that offers a plethora of visions and sounds never before encountered.
 

The zombie apocalypse is here!  The living dead have been lurking in popular culture since the 1930s, but they are now ubiquitous. Presenting a historical overview of zombies in film and on television, Zombie Cinema also explores this globalized phenomenon, examining why the dead have captured the imagination of twenty-first-century audiences worldwide.