Dahlia Schweitzer
Showing 1-5 of 5 items.
Women Make Horror
Filmmaking, Feminism, Genre
Edited by Alison Peirse
Rutgers University Press
Women Make Horror studies women practitioners in the film industry and sets right the assumptions about women and the horror genre. It explores narrative and experimental cinema, short, anthology and feature-filmmaking, and offers case studies of North American, Latin American, European, East Asian and Australian filmmakers, films and festivals. With this book we can transform how we think about women filmmakers and genre.
- Copyright year: 2020
Haunted Homes
Rutgers University Press
Looking at everything from classic movies like James Whale’s The Old Dark House to contemporary works like Hereditary, The Conjuring, and the Netflix series The Haunting of Hill House, Dahlia Schweitzer explores why haunted homes have become a prime stage for dramatizing anxieties about family, gender, race, and economic collapse.
- Copyright year: 2021
Going Viral
Zombies, Viruses, and the End of the World
Rutgers University Press
From 28 Days Later to 24 to The Walking Dead, movies, TV shows, and books are filled with zombie viruses, bioengineered plagues, and disease-ravaged bands of survivors. Going Viral analyzes why outbreak narratives have infected our public discourse and how they have affected the way Americans view the world.
- Copyright year: 2018
L.A. Private Eyes
Rutgers University Press
L.A. Private Eyes examines the tradition of the private eye as it evolves in films, books, and television shows set in Los Angeles from the 1930’s through the present day. This book explores the metamorphosis of the solitary detective figure and the many facets of the genre itself.
- Copyright year: 2019
Women Make Horror
Filmmaking, Feminism, Genre
Edited by Alison Peirse
Rutgers University Press
Women Make Horror studies women practitioners in the film industry and sets right the assumptions about women and the horror genre. It explores narrative and experimental cinema, short, anthology and feature-filmmaking, and offers case studies of North American, Latin American, European, East Asian and Australian filmmakers, films and festivals. With this book we can transform how we think about women filmmakers and genre.
- Copyright year: 2020
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