Otter’s Journey through Indigenous Language and Law

[T]he evocative language which Borrows offers in her telling of the creation story in her introduction, in her　enmeshing of the realities of language revitalization in Canada and New Zealand in Chapter Three, and especially, I find, in her experiences in the Salish Sea in Chapter Five, talking with Raven, serves to make real for me as a reader the power of the stories as conduits to ecologically, linguistically, and legally precise truths. Jasmine Spencer, postdoctoral fellow in linguistics, University of Victoria, Canadian Literature

Otter’s Journey holds the potential to change the way people think about and, in turn, talk about Indigenous laws and Indigenous language acquisition and reacquisition ... The elemental way in which legal storytelling is embedded in the text makes Indigenous laws and language normative, not as things to be justified or even accommodated. Eloquent, poetic, and lyrical, this book marks a rare and even generational shift in the dialogue by and about Indigenous peoples. Tracey Lindberg, author of Birdie, and professor of law and University Research Chair in Indigenous Laws, Legal Orders and Traditions at the University of Ottawa

Otter's Journey offers a vibrant account of the possibilities and importance of Indigenous language revitalization. Weaving oral narrative, prose fiction, and autobiography, Lindsay Borrows models a scholarly practice grounded in family, community, and storytelling. This is an important academic contribution – and also a new work of Indigenous literature by an emerging writer of considerable skill. Keavy Martin, author of Stories in a New Skin: Approaches to Inuit Literature, and associate professor in the Department of English and Film Studies at the University of Alberta