Showing 1-10 of 10 items.

Comedy: American Style

Jessie Redmon Fauset

Rutgers University Press

Comedy: American Style, Jessie Redmon Fauset's fourth and final novel, recounts the tragic tale of a family's destructionùthe story of a mother who denies her clan its heritage. Originally published in 1933, this intense narrative stands the test of time and continues to raise compelling, disturbing, and still contemporary themes of color prejudice and racial self-hatred. Several of today's bestselling novelists echo subject matter first visited in Fauset's commanding work, which overflows with rich, vivid, and complex characters who explore questions of color, passing, and black identity.

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The Grand Gennaro

Rutgers University Press

The Grand Gennaro, a riveting saga set at the turn of the last century in Italian American Harlem, reflects on how youthful acts of cruelty and desperation follow many to the grave. A classic in the truest sense, this operatic narrative is alive once again, addressing the question: How does one become an "American"?

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An American in the Making

The Life Story of an Immigrant

Rutgers University Press

Steven G. Kellman brings Ravage's story to life again in this new edition, providing a brief biography and introduction that place the memoir within historical and literary contexts. An American in the Making contributes to a broader understanding of the global notion of "America" and remains timely, especially in an era when massive immigration, now from Latin America and Asia, challenges ideas of national identity.

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Zora Neale Hurston

Collected Plays

Rutgers University Press

though she died penniless and forgotten, Zora Neale Hurston is now recognized as a major figure in African American literature. Best known for her 1937 novel Their Eyes Were Watching God, she also published numerous short stories and essays, three other novels, and two books on black folklore.

            Even avid readers of Hurston’s prose, however, may be surprised to know that she was also a serious and ambitious playwright throughout her career. Although several of her plays were produced during her lifetime—and some to public acclaim—they have languished in obscurity for years. Even now, most critics and historians gloss over these texts, treating them as supplementary material for understanding her novels. Yet, Hurston’s dramatic works stand on their own merits and independently of her fiction.

            Now, eleven of these forgotten dramatic writings are being published together for the first time in this carefully edited and annotated volume. Filled with lively characters, vibrant images of rural and city life, biblical and folk tales, voodoo, and, most importantly, the blues, readers will discover a “real Negro theater” that embraces all the richness of black life.

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Holy Prayers in a Horse's Ear

A Japanese American Memoir

Rutgers University Press

Originally published in 1932, Kathleen Tamagawa’s pioneering Asian American memoir is a sensitive and thoughtful look at the personal and social complexities of growing up racially mixed during the early twentieth century. Born in 1893 to an Irish American mother and a Japanese father and raised in Chicago and Japan, Tamagawa reflects on the difficulty she experienced fitting into either parent’s native culture.

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Visions and Divisions

American Immigration Literature, 1870-1930

Rutgers University Press

 For many years, America cherished its image as a Golden Door for the world’s oppressed. But during the Progressive Era, mounting racial hostility along with new national legislation that imposed strict restrictions on immigration began to show the nation in a different light. The literature of this period reflects the controversy and uncertainty that abounded regarding the meaning of “American.” Literary output participated in debates about restriction, assimilation, and whether the idea of the “Melting Pot” was worth preserving. Writers advocated—and also challenged—what emerged as a radical new way of understanding the nation’s ethnic and racial identity: cultural pluralism. 

From these debates came such novels as Willa Cather’s My Ántonia and Upton Sinclair’s The Jungle. Henry James, Charlotte Perkins Gilman, and Carl Sandburg added to the diversity of viewpoints of native born Americans while equally divergent immigrant perspectives were represented by writers such as Anzia Yezierska, Kahlil Gibran, and Claude McKay. This anthology presents the writing of these authors, among others less well known, to show the many ways literature participated in shaping the face of immigration. The volume also includes an introduction, annotations, a timeline, and historical documents that contextualize the literature.

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Empire and The Literature of Sensation

An Anthology of Nineteenth-Century Popular Fiction

Rutgers University Press

Empire and the Literature of Sensation is a critical anthology of some of the most popular and sensational writings published before the Civil War. It is a collection of transvestite adventures, forbidden love, class conflict, and terrifying encounters with racial "others."

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A Long Way From Home

Rutgers University Press

In his 1937 autobiography, A Long Way from Home, McKay explains what it means to be a black “rebel sojourner” and presents one of the first unflattering, yet informative, exposés of the Harlem Renaissance. Reprinted here with a critical introduction by Gene Andrew Jarrett, this book will challenge readers to rethink McKay’s articulation of identity, art, race, and politics and situate these topics in terms of his oeuvre and his literary contemporaries between the world wars.

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Chinatown Family

By Lin Yutang; Edited by C. Lok Chua
Rutgers University Press

Lin Yutang (1895–1976), author of more than thirty-five books, was arguably the most distinguished Chinese American writer of the twentieth century. In Chinatown Family, he brings humor and wisdom to issues of culture, race, and religion as he tells the engrossing and heart-warming story of an immigrant, working-class Chinese American family that settled in New York City during the 1930s and 1940s. 

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Shadowed Dreams

Women's Poetry of the Harlem Renaissance

Foreword by Nellie McKay; Edited by Maureen Honey
Rutgers University Press

This revised and expanded version of the collection contains twice the number of poems found in the original, many of them never before reprinted, and adds eighteen new female voices from the Harlem Renaissance, once again striking new ground in African American literary history. Also new to this edition are nine period illustrations and updated biographical introductions for each poet.

Shadowed Dreams features new poems by Gwendolyn B. Bennett, Anita Scott Coleman, Mae V. Cowdery, Blanche Taylor Dickinson, Alice Dunbar-Nelson, Jessie Redmon Fauset, Angelina Weld Grimké, Gladys May Casely Hayford (a k a Aquah Laluah), Virginia Houston, Georgia Douglas Johnson, Helene Johnson, Effie Lee Newsome, Esther Popel, and Anne Spencer, as well as writings from rediscovered poets Carrie Williams Clifford, Edythe Mae Gordon, Alvira Hazzard, Gertrude Parthenia McBrown, Beatrice M. Murphy, Lucia Mae Pitts, Grace Vera Postles, Ida Rowland, and Lucy Mae Turner, among others.

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