This wide-ranging collection brings together eleven scholars who suggest new and unfamiliar ways of thinking about the 1719 publications The Life and Strange Surprizing Adventures of Robinson Crusoe and The Farther Adventures of Robinson Crusoe, and who ask us to consider the enduring appeal of “Crusoe,” more recognizable today than ever before.

This collection examines images of late seventeenth- through mid-nineteenth-century transatlantic women travelers in historical and literary works. The volume features women of a variety of races, ethnicities, and social classes traveling in all directions of the Atlantic Ocean, as well as the people they encounter in their travels and residences.

This collection examines images of late seventeenth- through mid-nineteenth-century transatlantic women travelers in historical and literary works. The volume features women of a variety of races, ethnicities, and social classes traveling in all directions of the Atlantic Ocean, as well as the people they encounter in their travels and residences.

Hemispheres and Stratospheres offers eight essays that address the art, literature, science, and politics of distance during the long eighteenth century. This volume celebrates the intercontinental expansiveness of Enlightenment distance culture—a culture that continues to encourage modern pursuits such as space travel, tourism, telecommunication, multiculturalism, and international research collaboration.

Hemispheres and Stratospheres offers eight essays that address the art, literature, science, and politics of distance during the long eighteenth century. This volume celebrates the intercontinental expansiveness of Enlightenment distance culture—a culture that continues to encourage modern pursuits such as space travel, tourism, telecommunication, multiculturalism, and international research collaboration.

Lothario’s Corpse explores the persistent appeal of Restoration libertine drama (and its absolutist heroes and scenarios of lawless license) in the century following its supposed disappearance from the British stage. Tracing the stage libertine’s haunting of post-1688 culture, Gustafson illustrates how its literary and political manifestations document a fantasy of sovereign power at the heart of the emergent liberal imagination.