This Light of Ours
This Light of Ours
Activist Photographers of the Civil Rights Movement
This Light of Ours: Activist Photographers of the Civil Rights Movement is a paradigm-shifting publication that presents the Civil Rights Movement through the work of nine photographers who participated in the movement as activists with SNCC, SCLC, and CORE. Unlike images produced by photojournalists, who covered breaking news events, these photographers lived within the movement—primarily within the Student Nonviolent Coordinating Committee (SNCC) framework—and documented its activities by focusing on the student activists and local people who together made it happen.
The core of the book is a selection of 150 black-and-white photographs, representing the work of photographers Bob Adelman, George Ballis, Bob Fitch, Bob Fletcher, Matt Herron, David Prince, Herbert Randall, Maria Varela, and Tamio Wakayama. Images are grouped around four movement themes and convey SNCC’s organizing strategies, resolve in the face of violence, impact on local and national politics, and influence on the nation’s consciousness. The photographs and texts of This Light of Ours remind us that the movement was a battleground, that the battle was successfully fought by thousands of “ordinary” Americans among whom were the nation’s courageous youth, and that the movement’s moral vision and impact continue to shape our lives.
This book of photographs, interviews, and biographies pays homage to nine activist photographers associated with the Student Nonviolent Coordinating Committee who advanced the US civil rights cause by documenting movement actions and backlashes. The photographs poignantly and brilliantly capture key events in the southern movement in the 1960s—protests, memorials for murdered activists and innocent children, exuberant songfests, marches, and bloody encounters. . . . A must-read. Summing Up: Essential.
This Light of Ours offers insightful commentary and a treasure trove of stunning images gleaned from the files of nine activist photographers, seven of whom were connected to the Student Nonviolent Coordinating Committee. Based on a traveling exhibit designed by the Center for Documentary Expression & Art, this beautifully produced book highlights the understudied and often underappreciated visual dimension of the 1960s civil rights struggle. Confronting the artists and historical dimension of these photographs fifty years after their creation was an unforgettable and moving experience that I hope thousands of individuals will ultimately share.
Movement photographers created a striking visual history of the black freedom struggle of the 1950s and 1960s. This superb collection of their best work will evoke powerful memories among those who lived through those turbulent times, while introducing a new generation to the courage and tenacity of local people determined to take charge of their destiny. This Light of Ours should be required reading for all who believe in the possibilities of democracy.
This remarkable collection is as inspiring as it is instructive. A few iconic images are represented but most of these photos will be new to most readers. Collectively, they make palpable a moment of possibility, not fully realized but not fully missed either. Perhaps what is most striking is the way these photos capture the sheer determination of ‘ordinary’ people to be free. One caption says it best: ‘Strength where you might least expect it was often encountered . . . reflecting vitality and dignity in a society trying to strip it away.’
Leslie G. Kelen is founder and executive director of the Center for Documentary Expression and Art. He is author or coauthor of several publications that combine the use of documentary photographs and interviews, including Sacred Images: A Vision of Native American Rock Art, Faces and Voices of Refugee Youth, Streaked with Light and Shadow: Portraits of Former Soviet Jews in Utah, and Missing Stories: An Oral History of Ethnic and Minority Groups in Utah.
