Mujeres de Maiz (MdM) is an L.A.-based Indigenous Xicana–led spiritual artist-activist organization and movement by and for women and feminists of color. The contributors to this edited volume weave together their stories to collectively document MdM’s twenty-five-year herstory and its larger sociopolitical context. Intergenerational contributors include emerging and professional writers, scholars, visual and performance artists, and community organizers. They trace MdM’s genealogy, providing critical insight into emerging definitions of Xicanisma and contemporary grassroots feminist praxis.

Restoring the Pitchfork Ranch tells the story of a decades-long habitat restoration project in southwestern New Mexico. Rancher-owner A. Thomas Cole explains what inspired him and his wife, Lucinda, to turn their retirement into years dedicated to hard work and renewal on 11,300 acres of grass- and wetlands. The Pitchfork Ranch is an inspiring promise for the future in the face of crippling climate change.

Ojo en celo / Eye in Heat is a book about the burning desire to see beyond appearances and find meaning in the visible and the invisible.

Yaguareté White is a lyrical exploration of Paraguayan whiteness, or white Latinidad, and what it means to see through a colored whiteness, with all of its tangled contradictions. Diego Báez’s poems reconcile the incomplete, contradictory, and inconsistent experiences that reside between languages, nations, and generations.

Using a combination of economic history and analysis, Border Economies explores how the location of U.S. and Mexican communities on the border are shaped by forces that originate on the other side.

Woven from the Center presents breathtaking basketry from some of the greatest weavers in the Greater Southwest. Each sandal and mat fragment, each bowl and jar, every water bottle and whimsy is infused with layers of aesthetic, cultural, and historical meanings. This book offers stunning photos and descriptions of woven works from Indigenous communities across the U.S. Southwest and Northwest Mexico.

Ancient Light is a timely and innovative collection by renowned Anishinaabe poet Kimberly Blaeser. It looks squarely at pressing social issues of our time while simultaneously invoking Indigenous pathways of kinship, healing, and renewal.

This collection of creative offerings by forty-three queer and trans Black writers of Latin American descent helps illustrate Blackness as a geopolitical experience that is always changing. In centering the multifaceted realities of the LGBTQ community, the anthology's contributors challenge everything we think we know about gender, sexuality, race, and what it means to experience a livable life.

Light As Light is acclaimed poet Simon J. Ortiz’s first collection in twenty years. The poems in this volume are a powerful journey through the poet’s life—both a love letter to the future, and a sentimental, authentic celebration of the past.

Continually recognized as one of the “hottest” of all the world’s biodiversity hotspots, the island of Madagascar has become ground zero for the most intensive market-based conservation interventions on Earth. This book details the rollout of market conservation programs, including the finding drugs from nature—or “bioprospecting”—biodiversity offsetting, and the selling of blue carbon credits from mangroves. It documents the tensions that exist at the local level and provides a voice for community workers many times left out of environmental policy discussions, ultimately in the hope of offering critiques that build better conservation interventions with perspectives of the locals.

Central American Migrations in the Twenty-First Century tackles head-on the way Central America has been portrayed as a region profoundly marked by the migration of its people. The essays use an intersectional approach to demonstrate the complexity of the migration experience. This volume opens a dialogue between humanities and social sciences scholars on the complex migratory processes of the region.

This book fuses Latinx studies and video game studies to document how Latinx masculinities are portrayed in high-budget action-adventure video games. Developing an original approach to video game experiences, the author theorizes video games as border crossings, and defines a new concept—digital mestizaje—that pushes players, readers, and scholars to deploy a Latinx way of seeing constructive as well as destructive qualities.