254 pages, 5 1/2 x 8 1/2
9 b-w illus.
Paperback
Release Date:14 Oct 2022
ISBN:9781978827912
Hardcover
Release Date:14 Oct 2022
ISBN:9781978827929
The Internet Is for Cats
How Animal Images Shape Our Digital Lives
Rutgers University Press
LOL cats. Grumpy Cat. Dog-rating Twitter. Pet Instagram accounts. It’s generally understood the internet is for pictures of cute cats (and dogs, and otters, and pandas). But what motivates people to make and share these images, and how do they relate to other online social practices?
The Internet is for Cats examines how animal images are employed to create a lighter, more playful mood, uniting users within online spaces that can otherwise easily become fractious and toxic. Placing today’s pet videos, photos, and memes within a longer history of mediated animal images, communication scholar Jessica Maddox also considers the factors that make them unique. She explores the roles that animals play within online economies of cuteness and attention, as well as the ways that animal memes and videos respond to common experiences of life under neoliberalism.
Conducting a rich digital ethnography, Maddox combines observations and textual analysis with extensive interviews of the people who create, post and share animal media, including TikTok influencers seeking to make their pets famous, activists tweeting about wildlife conservation, and Redditors upvoting every cute cat photo. The Internet is for Cats will leave you with a new appreciation for the human social practices behind the animal images you encounter online.
The Internet is for Cats examines how animal images are employed to create a lighter, more playful mood, uniting users within online spaces that can otherwise easily become fractious and toxic. Placing today’s pet videos, photos, and memes within a longer history of mediated animal images, communication scholar Jessica Maddox also considers the factors that make them unique. She explores the roles that animals play within online economies of cuteness and attention, as well as the ways that animal memes and videos respond to common experiences of life under neoliberalism.
Conducting a rich digital ethnography, Maddox combines observations and textual analysis with extensive interviews of the people who create, post and share animal media, including TikTok influencers seeking to make their pets famous, activists tweeting about wildlife conservation, and Redditors upvoting every cute cat photo. The Internet is for Cats will leave you with a new appreciation for the human social practices behind the animal images you encounter online.
By exploring the ambivalent overlaps between attention, cuteness, toxicity, and neoliberalism - among other key themes - in animal imagery sharing practices, The Internet is for Cats is essential reading for understanding how and why the fun of animal memes is serious cultural business.'
'The Internet is for Cats skillfully demonstrates that the visual cultures of animals and pets in social media are not only cute and entertaining—they can also mask the Internet’s hateful and toxic content. Maddox’s project is an important reminder that even the most seemingly frivolous aspects of culture must be carefully examined.'
[The Internet is for Cats]'s major claim is convincing: there is more to cat (and other animal) pics than meets the eye.
'The Internet is for Cats skillfully demonstrates that the visual cultures of animals and pets in social media are not only cute and entertaining—they can also mask the Internet’s hateful and toxic content. Maddox’s project is an important reminder that even the most seemingly frivolous aspects of culture must be carefully examined.'
By exploring the ambivalent overlaps between attention, cuteness, toxicity, and neoliberalism - among other key themes - in animal imagery sharing practices, The Internet is for Cats is essential reading for understanding how and why the fun of animal memes is serious cultural business.'
JESSICA MADDOX is an assistant professor in the Department of Journalism and Creative Media at the University of Alabama, Tuscaloosa.
Contents
List of Illustrations
Introduction
1 Kittens in Context
2 “I’ve Heard People on TikTok Love This": Attention as Materiality and Looking Relation
3 Beyond Doomscrolling in an Internet of Cute
4 “You Can’t Buy Happiness, But You Can Rescue It”: Neoliberal Pets and Animals
5 Feels Good, Man: Collisions, Collusions, and Cloaks in Pet and Animal Social Media
6 Nature is Healing, We are the Virus: Beyond Signifiers
Appendix
Acknowledgments
Bibliography
Index
List of Illustrations
Introduction
1 Kittens in Context
2 “I’ve Heard People on TikTok Love This": Attention as Materiality and Looking Relation
3 Beyond Doomscrolling in an Internet of Cute
4 “You Can’t Buy Happiness, But You Can Rescue It”: Neoliberal Pets and Animals
5 Feels Good, Man: Collisions, Collusions, and Cloaks in Pet and Animal Social Media
6 Nature is Healing, We are the Virus: Beyond Signifiers
Appendix
Acknowledgments
Bibliography
Index
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