Mark Twain at Home
How Family Shaped Twain’s Fiction
Canons by Consensus
Critical Trends and American Literature Anthologies
Continuing Bonds with the Dead
Parental Grief and Nineteenth-Century American Authors
Contesting the Past, Reconstructing the Nation
American Literature and Culture in the Gilded Age, 1876-1893
Artistic Liberties
American Literary Realism and Graphic Illustration, 1880-1905
Sounding Real
Musicality and American Fiction at the Turn of the Twentieth Century
Fighting Words
Polemics and Social Change in Literary Naturalism
Traces of Gold
California's Natural Resources and the Claim to Realism in Western American Literature
The American Counterfeit
Authenticity and Identity in American Literature and Culture
Fakery, authenticity, and identity in American literature and culture at the turn of the 20th century
Willa Cather and Material Culture
Real-World Writing, Writing the Real World
A compilation of essays focusing on the significance of material culture to Cather’s work and Cather scholarship.
Willa Cather and Material Culture is a collection of 11 new essays that tap into a recent and resurgent interest among Cather scholars in addressing her work and her career through the lens of cultural studies. One of the volume's primary purposes is to demonstrate the extent to which Cather did participate in her culture and to correct the commonplace view of her as a literary connoisseur set apart from her times.
Edith Wharton and the Visual Arts
This work explores Edith Wharton's career-long concern with a 19th-century visual culture that limited female artistic agency and expression. Wharton repeatedly invoked the visual arts as a medium for revealing the ways that women's bodies have been represented (as passive, sexualized, infantalized, sickly, dead). Well-versed in the Italian masters, Wharton made special use of the art of the Pre-Raphaelite Brotherhood, particularly its penchant for producing not portraits of individual women but instead icons onto whose bodies male desire is superimposed.