SEE! HEAR! CUT! KILL!
SEE! HEAR! CUT! KILL!
Experiencing Friday the 13th
Sean S. Cunningham and Victor Miller’s Friday the 13th franchise is one of the most successful horror film franchises in history. To date, it includes twelve movies, a television show, comic books, and video games, among other media. In SEE! HEAR! CUT! KILL! Experiencing “Friday the 13th,” Wickham Clayton explores several aspects of the films including how the technical aspects relate to the audience, their influence on filmmaking, and the cultural impact of the franchise.
Clayton looks at how perspective is established and communicated within the Friday the 13th films, which is central to the way the audience experiences and responds emotionally to these movies. Then he considers how each sequel gives viewers, whether longtime fans or new audiences, a “way in” to the continuous story that runs through the series. Clayton also argues that the series has not developed in isolation. These films relate to contemporary slasher films, the modern horror genre, and critically successful Hollywood films in general. They reflect popular trends of film style and often act as key examples in the genre and beyond.
Clayton places foundational academic horror texts in conversation with recent scholarship to produce compelling critical observations about the franchise. . . . SEE! HEAR! CUT! KILL!: Experiencing ‘Friday the 13th’contains a treasure trove of information that caters well to general readers, students, and scholars.
Overall, Clayton’s book is an excellent and well-detailed critical analysis of the Friday the 13th franchise, proving beyond a doubt that these films—as well as their slasher brethren—are well worth academic consideration and that the viewer experience is a complex and variable phenomenon. . . . See! Hear! Cut! Kill! is an excellent resource for the casual fan, the horror aficionado, and the film scholar alike.
Wickham Clayton is arguably one of, if not the, eminent scholar of slasher films arising out of the recent generation of film scholars. . . . See! Hear! Cut! Kill! provides an outstanding contribution to the existing literature in slasher studies and horror film studies. His work offers a novel theoretical take on analyses of the slasher film and provides readers with a fresh lens through which to view these films. I believe this book belongs on the bookshelves of every slasher scholar, horror scholar, film scholar, film student, and horror film enthusiast.
Through its cogent and convincing examination of the long-maligned Friday the 13th franchise, SEE! HEAR! CUT! KILL! proves that low-budget genre cinema is worth taking seriously.
Providing a witty and chatty but deeply serious and comprehensive analysis of the slasher franchise Friday the 13th, Wickham Clayton offers arguments about using the series to explore developing aesthetics of several decades of cinema. Something for both fans and cinephiles.
Wickham Clayton is a lecturer in film production at the University for the Creative Arts in Farnham, United Kingdom. He is coeditor of Screening Twilight: Critical Approaches to a Cinematic Phenomenon and editor of Style and Form in the Hollywood Slasher Film and The Bible Onscreen in the New Millennium: New Heart and New Spirit.
