In 1942, after hiding to escape the Nazis, our narrator (named, simply, Federman) finds his way to Vichy France. Unwanted by his relatives, he is forced to spend the remainder of the war as an unpaid laborer. For three wordless years on the farm, this thirteen-year-old is assailed by suffering, death, sex, and the back-breaking labor of shoveling manure.
Sixty years later, in the United States, Federman—the author? the narrator? both?—wrestles with nostalgia and bitterness. He finally returns to the farm with his wife, but once the journey is complete he no longer knows why he has made it, nor what he expected to find. Through the merger of fact and fiction, storytelling and reality, memoir and imagination, Return to Manure extends and enhances Raymond Federman’s brilliant ability to side-step narration’s limits and impossibilities.
Federman pursues his work of memory and imagination with a gravity always kept at a distance, and a touch of nostalgia constantly undercut by a saving humor.’—Le Monde
In this kind of road movie that oscillates between derision, humor, grinding of teeth, stuttering of memory, pure and simple inventions, and even lies, the old story-teller Federman is not afraid to drivel on. A prodigious masterpiece.’—L’Humanité
In the tragicomic mode, one cannot do better.’—Télérana
Raymond Federman was born in 1928 in France. His novels have been translated into fourteen languages and include Smiles on Washington Square, winner of the American Book Award. He lives in San Diego.