Showing 761-770 of 2,619 items.
The Jews’ Indian
Colonialism, Pluralism, and Belonging in America
Rutgers University Press
The Jews’ Indian investigates the history of American Jewish relationships with Native Americans, both in the realm of cultural imagination and in face-to-face encounters. This book is the first history to analyze Jewish participation in, and Jews’ grappling with the legacies of Native American history and the colonial project upon which America rests.
Cinema between Latin America and Los Angeles
Origins to 1960
Rutgers University Press
Historically, Los Angeles has been central to the international success of Latin American cinema and became the most important hub in the western hemisphere for the distribution of Spanish language films made for Latin American audiences. This book examines the considerable, ongoing role that Los Angeles played in the history of Spanish-language cinema.
Animation
Edited by Scott Curtis
Rutgers University Press
The last installment of the acclaimed Behind the Silver Screen series, Animation explores the variety of technologies and modes of production throughout the history of American animation. Drawing on archival sources to analyze the relationship between production and style, this volume provides also a unique approach to understanding animation in general.
Watching Our Weights
The Contradictions of Televising Fatness in the “Obesity Epidemic”
Rutgers University Press
Watching Our Weights explores the competing and contradictory fat representations on television that are related to weight-loss and health, medicalization and disease, and body positivity and fat acceptance. Melissa Zimdars establishes how television shapes our knowledge of fatness and how fatness helps us better understand contemporary television.
The Movies as a World Force
American Silent Cinema and the Utopian Imagination
Rutgers University Press
The Movies as a World Force is the first analysis of utopian cinema writing; situating it in its proper intellectual contexts, theology, and political philosophy; and illustrating the ways in which its utopian imagination shapes and is shaped by the era’s most prestigious film genre, the historical crowd epic.
Some Kind of Mirror
Creating Marilyn Monroe
Rutgers University Press
Some Kind of Mirror offers the first extended scholarly analysis of Marilyn Monroe’s film performances, examining how they united the contradictory discourses about women’s roles in 1950s America. Amanda Konkle explores how Monroe drew from the techniques of Method acting and finely calibrated her performances to reflect her audience’s anxieties and desires.
Ethics and Law for Neurosciences Clinicians
Foundations and Evolving Challenges
Rutgers University Press
Science and technology are advancing more rapidly than regulations or the law can interpret and integrate them into a supportive or regulatory framework. This book is written for all clinicians in the neurosciences specialties who need to examine and re-examine the ethical and legal implications of advances in clinical neurosciences.
Divergent Paths to College
Race, Class, and Inequality in High Schools
Rutgers University Press
Megan M. Holland examines how high schools structure different pathways that lead to very different college destinations based on race and class. She finds that racial and class inequalities are reproduced through unequal access to key sources of information, even among students in the same school and even in schools with well-established college-going cultures.
There Has to Be a Better Way
Lessons from Former Urban Teachers
Rutgers University Press
There Has to be a Better Way offers an essential voice in understanding the dynamics of teacher attrition from the perspective of the teachers themselves. Drawing upon in-depth qualitative research with former teachers, the authors identify several themes that uncover the rarely-spoken reasons why teachers so often willingly leave the classroom.
Digital Cinema
Rutgers University Press
Stephen Prince offers a clear, concise account of how digital cinema both extends longstanding traditions of filmmaking and challenges fundamental assumptions about film. In the process, he raises provocative questions about the emergence of virtual reality, the future of film preservation, and the status of realism in digital cinema.
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