Graphic cinematic violence is a magnet for controversy.  From passionate defenses to outraged protests, theories abound concerning this defining feature of modern film: Is it art or exploitation, dangerous or liberating? Screening Violence  provides an even-handed examination of the history, merits, and effects of cinematic “ultraviolence.” 

The circle is an elegant, abstract form that has been transformed by humans into tangible, practical forms to make our lives easier. And yet no one has ever discovered a true mathematical circle. Ernest Zebrowski, Jr., discusses why investigations of the circle have contributed enormously to our current knowledge of the physical universe. Beginning with the ancient mathematicians and culminating in twentieth-century theories of space and time, the mathematics of the circle has pointed many investigators in fruitful directions in their quests to unravel nature’s secrets.

Over the past 20 years, much work has focused on domestic violence, yet little attention has been paid to the causes, manifestations, and resolutions to marital violence among ethnic minorities, especially recent immigrants. Margaret Abraham’s Speaking the Unspeakable is the first book to focus on South Asian women’s experiences of domestic violence, defined by the author as physical, sexual, verbal, mental, or economic coercion, power, or control perpetrated on a woman by her spouse or extended kin. Abraham explains how immigration issues, cultural assumptions, and unfamiliarity with American social, legal, economic, and other institutional systems, coupled with stereotyping, make these women especially vulnerable to domestic violence.

As Fabend describes the efforts of the Dutch to preserve the European standards and traditions of their church, while developing a taste for a new kind of theology and a preference for an American identity, she documents how Dutchness finally became a historical memory. The Americanization of the Reformed Dutch Church, Fabend writes, is a microcosm of the story of the Americanization of the United States itself.

What roles should midwives play within our healthcare system? Must they have certified degrees and be under the jurisdiction of a professional board? Do notions of gender create competition and erect barriers between the medical professions? The Rhetoric of Midwifery offers new insights into understanding these questions within the context of our present-day medical system.

Hit the road with journalist Mark DiIonno as he takes you on a tour of New Jersey’s extraordinary Revolutionary War history. Listing more than 350 historic sites throughout the state, DiIonno has compiled the most complete guide ever to the Revolutionary War in the Garden State. 

The First World War and Popular Cinema provides fresh insight into the role of film as an historical and cultural tool. Through a comparative approach, essays by contributors from Europe, Australia, Canada, and the United States enrich our understanding of cinematic depictions of the Great War in particular and combat in general. New historical research on both the uses of propaganda and the development of national cinemas make this collection one of the first to show the ways in which film history can contribute to our study of national histories. 

As a trained biologist, Lynda Birke was frustrated by the gap between feminist cultural analysis and her own scientific background. In this book, she seeks to bridge this gap using ideas in anatomy and physiology to develop the feminist view that the biological body is socially and culturally constructed. Birke rejects the assumption that bodily function is somehow fixed and unchanging, claiming that biology offers more than just a deterministic narrative of how nature works. Feminism and the Biological Body brings natural science and feminist theory together and suggests that we need a new politics that includes, rather than denies, our flesh.

Anthropological perspectives are not often represented in urban studies, even though many anthropologists have been contributing actively to theory and research on urban poverty, racism, globalization, and architecture. The New Urban Anthropology Reader corrects this omission by presenting 12 cross-cultural case studies focusing on the analysis of space and place.

Five images of the city—the divided city, the contested city, the global city, the modernist city, and the postmodern city—serve as the framework for the selected essays. These images highlight current research trends in urban anthropology, such as poststructural studies of race, class, and gender in the urban context; political economic studies of transnational culture; and

studies of the symbolic and social production of urban space and planning.

Selected Chapters:

Theorizing the City: An Introduction by Setha M. Low

Part I. The Divided City

The Changing Significance of Race and Class in an African American Community, Steven Gregory

Fortified Enclaves: The New Urban Segregation by Teresa P. R. Caldeira

Part II. The Contested City

Spatializing Culture: The Social Production and Social Construction of Public Space in Costa Rica, Setha M. Low

Part III. The Global City

Wholesale Sushi: Culture and Commodity in Tokyo’s Tsukiki Market, Ted Bestor

Part IV. The Modernist City

The Modernist City and the Death of the Street by James Holston

Part V. The Postmodern City

Spatial Discourse and Social Boundaries: Re-imagining the Toronto Waterfront by Matthew Cooper

The Victorian era was a time of unprecedented population growth and massive industrialization. Darwinian theory shook people's religious beliefs and foreign competition threatened industry and agriculture. The transformation of this nineteenth-century world was overhwelming, pervading the social, cultural, intellectual, economic, and political spheres. By the time of the Great Exhibition in 1851, the British were calling themselves Victorians and Prince Albert was able to proclaim, "We are living at a period of most wonderful transition." David Newsome weaves all these strands of Victorian life into a compelling evocation of the spirit of a fascinating time that laid the foundation for the modern age.