Showing 1,141-1,150 of 2,619 items.
The Blacker the Ink
Constructions of Black Identity in Comics and Sequential Art
Edited by Frances Gateward and John Jennings
Rutgers University Press
The Blacker the Ink is the first collection to explore not only the diverse range of black characters in comics, but also the multitude of ways that black artists, writers, and publishers have made a mark on the industry. The book’s fifteen original essays take us on a journey that includes familiar milestones like Luke Cage and The Boondocks, while spanning everything from African American newspaper comics of the 1930s to Francophone graphic novels of the 2000s.
The Blacker the Ink
Constructions of Black Identity in Comics and Sequential Art
Edited by Frances Gateward and John Jennings
Rutgers University Press
The Blacker the Ink is the first collection to explore not only the diverse range of black characters in comics, but also the multitude of ways that black artists, writers, and publishers have made a mark on the industry. The book’s fifteen original essays take us on a journey that includes familiar milestones like Luke Cage and The Boondocks, while spanning everything from African American newspaper comics of the 1930s to Francophone graphic novels of the 2000s.
The Transatlantic Zombie
Slavery, Rebellion, and Living Death
Rutgers University Press
As our “most modern monster” and perhaps our most “American,” the zombie that is so prevalent in popular culture today has its roots in African soul capture mythologies. The Transatlantic Zombie provides a more complete history of the zombie than has ever been told, explaining how the myth’s migration to the New World was facilitated by the transatlantic slave trade, and reveals the real-world import of storytelling, reminding us of the power of myths and mythmaking, and the high stakes of appropriation and homage.
On Racial Icons
Blackness and the Public Imagination
Rutgers University Press
In On Racial Icons, Nicole R. Fleetwood focuses a sustained look on photography in documenting black public life, exploring the ways in which iconic images function as celebrations of national and racial progress at times or as a gauge of collective racial wounds in moments of crisis.
Jewish Peoplehood
An American Innovation
By Noam Pianko
Rutgers University Press
Jewish peoplehood has eclipsed religion—as well as ethnicity and nationality—as the prevailing definition of what it means to be a Jew. In Jewish Peoplehood, Noam Pianko examines the history, the current significance, and the future relevance of a term that assumes an increasingly important position in American Jewish and Israeli life.
Intersections of Harm
Narratives of Latina Deviance and Defiance
Rutgers University Press
In this innovative new study, Laura Halperin examines literary representations of harm inflicted on Latinas’ minds and bodies, and on the places Latinas inhabit, but she also explores how hope can be found amid so much harm. Analyzing contemporary memoirs and novels by Irene Vilar, Loida Maritza Pérez, Ana Castillo, Cristina García, and Julia Alvarez, she argues that the individual harm experienced by Latinas needs to be understood in relation to the collective histories of aggression against their communities.
Movie Migrations
Transnational Genre Flows and South Korean Cinema
Rutgers University Press
This timely new study reveals that, though South Korean popular culture might be enjoying new prominence on the global stage, the nation’s film industry has long been a hub for creative appropriations across national borders. Movie Migrations explores how Korean filmmakers have put a unique spin on familiar genres, while influencing world cinema from Hollywood to Bollywood.
Prison and Social Death
Rutgers University Press
A compelling blend of solidarity, civil rights activism, and social research, Prison and Social Death offers a unique look at the American prison and the excessive and unnecessary damage it inflicts on convicts and parolees. Joshua M. Price documents the “social death” that convicts suffer while incarcerated and afterward, drawing upon hundreds of often harrowing interviews conducted with prisoners, parolees, and their families.
Blaming the Poor
The Long Shadow of the Moynihan Report on Cruel Images about Poverty
Rutgers University Press
A leading authority on poverty and racism, Susan D. Greenbaum dismantles the main thesis of the Moynihan Report—that the so called matriarchal structure of the African American family “feminized black men,” resulting in a “tangle of pathology” that led to a host of ills, from teen pregnancy to adult crime. Drawing on extensive scholarship, Greenbaum debunks this infamous thesis while outlining more productive and humane policies to address the problems facing America today.
The Tragedy of the Commodity
Oceans, Fisheries, and Aquaculture
Rutgers University Press
The Tragedy of the Commodity explores the role of human agency in the overfishing crisis, highlighting the social and economic forces behind this looming ecological problem. In a critique of the classic theory “the tragedy of the commons” by ecologist Garrett Hardin, the authors argue that it is the commodification of aquatic resources that leads to the depletion of fisheries and the development of environmentally suspect means of aquaculture.
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