In When Good Jobs Go Bad, Jeffrey Rothstein looks at the impact of globalization on workers in the North American auto industry, revealing that globalization has had a deleterious effect on even the most valued of blue-collar jobs. Rothstein shows how the consolidation of the Mexican and U.S.-Canadian auto industries, the expanding number of foreign automakers in North America, and the spread of lean production have all undermined organized labor and harmed workers.

Based on extensive research into the child welfare system in New York City, Catching a Case reveals that, in the face of draconian budget cuts and a political climate that blames the poor for their own poverty, child welfare practices have become punitive, focused on removing children from their families and on parental compliance with rules. Rather than provide needed help for family problems, case workers often hold parents to standards almost impossible for working-class and poor parents to meet.

Providing a picture of what ordinary life is like for urban dwellers surviving sectarian violence, The Insecure City captures the day-to-day experiences of Beirut's war-torn landscape. Kristin Monroe takes urban anthropology in a new and meaningful direction, telling the story of traffic in the Middle East, showing that when people move through Beirut they are experiencing the intersection of citizen and state, of the more and less privileged, and, in general, the city’s politically polarized geography.

Drawn from extensive interviews with paid gestational surrogates, women employed to carry children who are not genetically their own, Labor of Love reveals the challenges they face as they deal with complicated medical procedures, delicate work-family balances, and tricky social dynamics. The book demonstrates the extent to which advances in reproductive technology are affecting all Americans, changing how we think about maternity, family, and the labor involved in giving birth.   

From Shortbus to Shame and from Oldboy to Irreversible, film festival premieres regularly make international headlines for their shockingly graphic depictions of sex and violence. Extreme Cinema draws from interviews with film festival programmers, distributors, critics, and directors to demonstrate how these seemingly transgressive films actually operate within a strict set of codes and conventions, translating global notoriety into success within a competitive marketplace, and perpetuating a system that runs on provocation.

In this provocative new study, Jennifer Glaser examines how racial ventriloquism became a hallmark of late twentieth-century Jewish-American fiction, as Jewish writers asserted that their own ethnicity enabled them to speak for other minorities. Considering works by everyone from Cynthia Ozick to Woody Allen to Michael Chabon, she demonstrates how Jewish-American fiction can help us understand the larger anxieties about identity, authenticity, and authorial voice that emerged in the wake of the civil rights movement.

Of Forests and Fields tells the story of the Mexican guest laborers, Tejano migrants, and undocumented immigrants who worked to transform the Pacific Northwest into the agricultural powerhouse it is today. Employing an innovative approach that traces the intersections between Chicana/o labor and environmental history, Mario Sifuentez reveals both the struggles and the many accomplishments of these workers, offering valuable historical precedents for understanding the activism of immigrant and migrant laborers in our own era.  

Abstinence Cinema tracks the surprising sex-negative turn that Hollywood films have taken, associating premarital sex with shame and degradation, while romanticizing traditional nuclear families, courtship rituals, and gender roles. Locating these regressive sexual politics in everything from Twilight to Taken to Superbad, Casey Ryan Kelly examines how these films echo the rhetoric of the evangelical abstinence-only movement, then analyzes how they are particularly disempowering to young women, who are judged strictly on the basis of their sexuality.  

Covering everything from Batman to Zorro’s Fighting Legion, Matinee Melodrama is the first scholarly study of the cinematic adventure serial as a distinct artform, one that uniquely encouraged audience participation and imaginative play. It suggests that the serial’s incoherent plotting and reliance on formula, far from being faults, should be understood as some of its most appealing attributes, helping lay the groundwork for today’s blockbuster action movies, interactive videogames, and active fan cultures. 

Laura Horak spent a decade scouring film archives worldwide, and what she discovered could revolutionize our understanding of gender roles in the early twentieth century. Girls Will Be Boys examines over 400 examples of women dressed as men in American films made between 1908 and 1934, revealing that Cross-Dressed women were once viewed as wholesome and used to lend respectability to the fledgling film industry.