Abstinence Cinema
210 pages, 6 x 9
10 photographs
Paperback
Release Date:08 Mar 2016
ISBN:9780813575100
Hardcover
Release Date:08 Mar 2016
ISBN:9780813575117
Abstinence Cinema
Virginity and the Rhetoric of Sexual Purity in Contemporary Film
Rutgers University Press
Winner of the 2016 Diane Hope Book of the Year Award from the Visual Communication Division of the National Communication Association
From the perspective of cultural conservatives, Hollywood movies are cesspools of vice, exposing impressionable viewers to pernicious sexually-permissive messages. Offering a groundbreaking study of Hollywood films produced since 2000, Abstinence Cinema comes to a very different conclusion, finding echoes of the evangelical movement’s abstinence-only rhetoric in everything from Easy A to Taken.
From the perspective of cultural conservatives, Hollywood movies are cesspools of vice, exposing impressionable viewers to pernicious sexually-permissive messages. Offering a groundbreaking study of Hollywood films produced since 2000, Abstinence Cinema comes to a very different conclusion, finding echoes of the evangelical movement’s abstinence-only rhetoric in everything from Easy A to Taken.
Casey Ryan Kelly tracks the surprising sex-negative turn that Hollywood films have taken, associating premarital sex with shame and degradation, while romanticizing traditional nuclear families, courtship rituals, and gender roles. As he demonstrates, these movies are particularly disempowering for young women, concocting plots in which the decision to refrain from sex until marriage is the young woman’s primary source of agency and arbiter of moral worth. Locating these regressive sexual politics not only in expected sites, like the Twilight films, but surprising ones, like the raunchy comedies of Judd Apatow, Kelly makes a compelling case that Hollywood films have taken a significant step backward in recent years.
Abstinence Cinema offers close readings of movies from a wide spectrum of genres, and it puts these films into conversation with rhetoric that has emerged in other arenas of American culture. Challenging assumptions that we are living in a more liberated era, the book sounds a warning bell about the powerful cultural forces that seek to demonize sexuality and curtail female sexual agency.
’Smart textual analysis and informed feminist critique make Abstinence Cinema a welcome addition to scholarship that takes popular culture seriously for its participation in the struggles of contemporary public life.'
This is a groundbreaking, fearless book, one that takes on a hitherto relatively unexplored question of Hollywood cinema and makes one think anew about the social, political, and sexual politics of contemporary mainstream movies ... Highly recommended.
[Abstinence Cinema] educates audiences, particularly younger readers, parents, and scholars, on the ideological turn of rewriting purity narratives into popular culture through contemporary film.
A fascinating exposé … Students and scholars of film, gender, sexuality, and cultural studies will learn much from Kelly’s well-argued text.
Popular entertainment is an unexplored front in the ongoing culture wars over sexuality. Casey Ryan Kelly’s sophisticated and lively analysis of abstinence cinema is a timely reminder of the high stakes in these debates.
Abstinence Cinema is an exceptional book and should find wide readership throughout communication and rhetorical studies as well as related fields like film studies, gender, studies, and popular culture … Kelly wisely chooses to stay attuned to the early twenty-first century and the particular issues of abstinence but in so doing provides insight into a wide range of contemporary cultural issues ranging from femininity to neoliberalism. The end result of this engaging analysis is a powerful intervention into American cinema.
This book may well enlighten [readers] in terms of what price one have to pay in order to conform to a so-called 'liberated' postmodern society, revealing itself a truly relevant indicator of Hollywood’s deeply rooted yet far from obsolete evangelical moral and political values. That’s already quite an achievement.
This is a groundbreaking, fearless book, one that takes on a hitherto relatively unexplored question of Hollywood cinema and makes one think anew about the social, political, and sexual politics of contemporary mainstream movies ... Highly recommended.
’Smart textual analysis and informed feminist critique make Abstinence Cinema a welcome addition to scholarship that takes popular culture seriously for its participation in the struggles of contemporary public life.'
Popular entertainment is an unexplored front in the ongoing culture wars over sexuality. Casey Ryan Kelly’s sophisticated and lively analysis of abstinence cinema is a timely reminder of the high stakes in these debates.
A fascinating exposé … Students and scholars of film, gender, sexuality, and cultural studies will learn much from Kelly’s well-argued text.
[Abstinence Cinema] educates audiences, particularly younger readers, parents, and scholars, on the ideological turn of rewriting purity narratives into popular culture through contemporary film.
Abstinence Cinema is an exceptional book and should find wide readership throughout communication and rhetorical studies as well as related fields like film studies, gender, studies, and popular culture … Kelly wisely chooses to stay attuned to the early twenty-first century and the particular issues of abstinence but in so doing provides insight into a wide range of contemporary cultural issues ranging from femininity to neoliberalism. The end result of this engaging analysis is a powerful intervention into American cinema.
This book may well enlighten [readers] in terms of what price one have to pay in order to conform to a so-called 'liberated' postmodern society, revealing itself a truly relevant indicator of Hollywood’s deeply rooted yet far from obsolete evangelical moral and political values. That’s already quite an achievement.
CASEY RYAN KELLY is an associate professor of critical communication and media studies at Butler University, in Indianapolis, Indiana.
Acknowledgments
Introduction: The Cinema of Abstinence
1 Melodrama and Postfeminist Abstinence: The Twilight Saga (2008–2012)
2 Man/Boys and Born-Again Virgins: The 40-Year-Old Virgin (2005)
3 The Monstrous Girls and Absentee Fathers of Horror: The Possession (2012)
4 Abstinence, the Global Sex Industry, and Racial Violence: Taken (2008)
5 Sexsploitation in Abstinence Satires
Conclusion: Counternarratives
Notes
Filmography
Bibliography
Index
