Lucy Fischer
Showing 1-9 of 9 items.
Imitation of Life
Douglas Sirk, Director
Edited by Lucy Fischer
Rutgers University Press
Douglas Sirk (Claus Detler Sierck) was born in Hamburg, Germany, in 1900. He made nine films before fleeing Nazi Germany, eventually coming to America. His best-known films, made during the 1950s—all of them melodramas—were Magnificent Obsession, All That Heaven Allows, The Tarnished Angels, Written on the Wind, and Imitation of Life (made in 1958, released in 1959). This volume includes the complete continuity script of the film, critical commentary and published reviews, interviews with the director, and a filmography and bibliography. It also includes an excellent introduction by Lucy Fischer.
- Copyright year: 1991
Headline Hollywood
A Century of Film Scandal
By Adrienne L. McLean and David A Cook
Rutgers University Press
Hollywood has long been associated with scandal--with covering it up, with managing its effects, and, in some cases, with creating and directing it. In putting together Headline Hollywood, Adrienne McLean and David Cook approach the relationship between Hollywood and scandal from a fresh perspective. The contributors consider some of the famous transgressions that shocked Hollywood and its audiences during the last century, and explore the changing meaning of scandal over time by zeroing in on issues of power: Who decides what crimes and misdemeanors should be circulated for public consumption and titillation? What makes a Hollywood scandal scandalous? What are the uses of scandal?
- Copyright year: 2001
Cinema and Modernity
Edited by Murray Pomerance; Introduction by Murray Pomerance
Rutgers University Press
In Cinema and Modernity, Murray Pomerance brings together new essays by seventeen leading scholars to explore the complexity of the essential connection between film and modernity. Among the many films considered are Detour, Shock Corridor, The Last Laugh, and Experiment in Terror.
- Copyright year: 2006
American Cinema of the 1920s
Themes and Variations
Edited by Lucy Fischer
Rutgers University Press
In ten original essays, American Cinema of the 1920s examines the film industry's continued growth and prosperity while focusing on important themes of the era that witnessed the birth of the star system that supported the meteoric rise and celebrity status of actors, including Charlie Chaplin, Mary Pickford, Joan Crawford, Greta Garbo, and Rudolph Valentino, while black performers (relegated to "race films") appeared infrequently in mainstream movies.
Glamour in a Golden Age
Movie Stars of the 1930s
Edited by Adrienne L. McLean
Rutgers University Press
Shirley Temple, Clark Gable, Errol Flynn and Olivia de Havilland, Fred Astaire and Ginger Rogers, Bette Davis, Joan Crawford and Norma Shearer, Marlene Dietrich and Greta Garbo, William Powell and Myrna Loy, Jean Harlow, and Gary Cooper-Glamour in a Golden Age presents original essays from eminent film scholars that analyze movie stars of the 1930s against the background of contemporary American cultural history.
- Copyright year: 2010
Body Double
The Author Incarnate in the Cinema
By Lucy Fischer
Rutgers University Press
Body Double explores the myriad ways that artists and the creative process have been represented on screen. Through the exploration of many distinct forms of cinema, Lucy Fischer examines such topics as the gender, age, and mental or physical health of fictionalized artists; the dramatized interaction between artists, audiences, and critics; and the formal play of written words and nonverbal images.
Idols of Modernity
Movie Stars of the 1920s
Edited by Patrice Petro; Introduction by Patrice Petro
Rutgers University Press
With its sharp focus on stardom during the 1920s, Idols of Modernity reveals strong connections and dissonances in matters of storytelling and performance that can be traced both backward and forward, across Europe, Asia, and the United States, from the silent era into the emergence of sound.
Art Direction and Production Design
Edited by Lucy Fischer
Rutgers University Press
It is impossible to imagine filmmaking without an understanding of the contributions of art direction and production design. In Art Direction and Production Design, six outstanding scholars survey the careers of notable art directors, the influence of specific design styles, the key roles played by particular studios and films in shaping the field, the effect of technological changes on production design, and the shifts in industrial modes of organization.
- Copyright year: 2015
Screening Genders
The American Science Fiction Film
Edited by Krin Gabbard and William Luhr
Rutgers University Press
Gender roles have been tested, challenged, and redefined everywhere during the past thirty years, but perhaps nowhere more dramatically than in film. Screening Genders is a lively and engaging introduction to the evolving representations of masculinity, femininity, and places once thought to be "in between."
The first comprehensive overview of the history of gender theory in film, this book is an ideal text for courses and will serve as a foundation for further discussion among students and scholars alike.
The first comprehensive overview of the history of gender theory in film, this book is an ideal text for courses and will serve as a foundation for further discussion among students and scholars alike.
- Copyright year: 2008
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