The Debt of a Nation reveals not only the intimate relationship between public debt financing and colonization but also its continuing implications for contemporary Canadian politics.

After Redress is an innovative and critical examination of continuing calls for justice in the wake of state redress and reconciliation agreements.

Unearthing Forgotten Values offers a practical corrective that restores human values to commercial archaeology by putting Indigenous communities first.

Against the backdrop of the United Nations Declaration on the Rights of Indigenous Peoples, Protecting Indigenous Knowledge and Heritage examines past and emerging issues in the recognition of Indigenous inherent human rights and knowledge within a Canadian legal context.

Drumming Our Way Home takes readers on an autobiographical journey to recover Indigenous identity, demonstrating how storytelling – aided by a hand drum – can open up a new world of pedagogy and culture-based learning.

Drawing on a unique blend of Indigenous and Western sources, Signs of the Time explores Nłeʔkepmx rock art making to reveal the historical and cultural meaning beneath its beguiling imagery.

A deeply personal history of colonialism’s corrosive effects on an Ojibway-Anishinabe woman who survives a traumatic childhood, becomes a teen mother, and eventually escapes unrelenting domestic violence to find hope and healing, dedicating herself to helping women and children like her former self.

Land and the Liberal Project explores the “improving” ideas that informed the expansion of Canada from coast to coast, exposing the justifications for state violence and appropriation of Indigenous territory, thus challenging our assumptions about Canadian sovereignty.

Canada and Colonialism presents the history Canadians must reckon with before decolonization is possible, from the nation’s establishment as a settler colony to the discriminatory legacies still at work in our institutions and culture.

This fascinating exploration into the history a nineteenth-century model of a Haida village, carved by Haida artists, offers insights not only into Pacific Northwest history but also into how the Haida represented their culture during a time when that culture threatened by colonial activity.

Resistance and Recognition at Kitigan Zibi illuminates the traditional values and cultural continuity underlying twentieth-century politics in the largest and oldest Algonquin reserve in Canada.

This intimate story of one settler’s journey toward reconciliation reveals the rich potential that comes from learning to listen and change – decolonization not as to-do list, but as a lived experience of taking one awkward step at a time.

This history analyzes over one hundred years of complex interactions between the Mi’kmaw, Wabanaki, Peskotomuhkati, Wolastoqiyik, French, and English to show the continuity of Indigenous independence from the European newcomers.

The Fire Still Burns is a tale of survival and redemption through which Squamish Elder Sam George recounts his residential school experience and how it led to a life of addiction, violence, and imprisonment until he found the courage to face his past and begin healing.

Cherokee Earth Dwellers offers a rich understanding of nature grounded in Cherokee creature names, oral traditional stories, and reflections of knowledge holders.

Witness to the Human Rights Tribunals offers a behind-the-scenes account of the difficulties facing Indigenous people in human rights tribunals, and the struggles of experts to keep their own testimony from being undermined.

Life against States of Emergency responds to the central question Attawapiskat chief Theresa Spence asked in a high-profile ceremonial fast: What does it mean to be in a treaty relationship today?

Upholding Indigenous Economic Relationships investigates Indigenous economic theories and relationships through the lenses of settler colonial exploitation and Indigenous resurgence.

Unstable Properties convincingly argues that the so-called land question in British Columbia cannot be resolved without understanding the fundamentally unstable ideological foundation of land and title arrangements on which the province rests.

In this disquieting story of broken promises and thwarted justice, the Anishinaabe of Stoney Point tell of the long struggle to reclaim their ancestral homeland, both before and after the Ipperwash crisis.

This compassionate yet unflinching exposé of the pitfalls of Indigenous–non-Indigenous solidarity work offers a constructive framework for non-colonizing solidarity that can be applied in any context of unequal power.

In Braided Learning, Lenape-Potawatomi educator Susan Dion inspires engagement with the histories and perspectives of Indigenous peoples, cultivating capacities for understanding, attunement, and respect.

A Legacy of Exploitation recasts the Hudson’s Bay Company’s experiment at Red River as a reaction to Indigenous peoples’ autonomy, challenging collective historical fantasies of Canada as a glorious nation of adventurers.

Métis Rising brings together a vibrant collection of essays on history, politics, and culture that celebrate the resilience of Métis identity.

Reconciling Truths is a forthright examination of commissions of inquiry that demonstrates the need for astute leadership and an engaging process if they are to lead to meaningful change.

Beyond Rights examines the legal, political, and cultural implications of the groundbreaking process of negotiating the Nisga’a treaty.

To Share, Not Surrender presents multiple views and lived experience of the treaty-making process and its repercussions in the Colonies of Vancouver Island and British Columbia, and publishes, for the first time, the Vancouver Island Treaties in First Nations languages.

Adjusting the Lens explores and celebrates decolonizing strategies and practices that confront the ways the photographic record of Indigenous peoples has been shaped by the colonial imagination.

In a gorgeously illustrated exploration of the art of Michael Nicoll Yahgulanaas, Mischief Making demonstrates how playful and punning gestures can shed light on serious subjects.

So Much More Than Art reveals the fascinating practice of miniaturization in Indigenous Northwest Coast art as a subtle form of communication in the face of oppressive colonization.