This book examines Jules Feiffer’s Kill My Mother trilogy of graphic novels as a body of work that pays homage to the iconography and themes of film noir. It reflects on Feiffer’s singular depiction of the central political issues of America from the Great Depression to the 1950s and on his unique storytelling voice, between drama and satire.
 

Latinx Comics Studies considers the role of comics and graphic narrative in picturing the rich realities of Latinx communities. It brings together groundbreaking critical essays, practical reflections, original and republished short comics to explore how comics by, for, and about Latinx peoples creatively and conceptually experiment with the very boundaries of “Latinx.”
 

Latinx Comics Studies considers the role of comics and graphic narrative in picturing the rich realities of Latinx communities. It brings together groundbreaking critical essays, practical reflections, original and republished short comics to explore how comics by, for, and about Latinx peoples creatively and conceptually experiment with the very boundaries of “Latinx.”
 

This book tells the remarkable story of how a preacher’s kid from Birmingham, Alabama became the so-called “Godfather of Gay Comics.” Lavishly illustrated with a broad selection of comics from Howard Cruse’s fifty-year career, this study showcases his critical role as a satirist and commentator on his times.