The Aesthetics of Kinship

'Schlipphacke brilliantly deconstructs the divisions between interiority and exteriority, mimetic and allegorical art forms, and kinship and the nuclear family in the literature of the long eighteenth century in a way that reveals the haziness of forms of thought, aesthetics, and sociality in transition and enables us to see the queer constellations of elective social affinities at the center of eighteenth-century German literature. She provides a model for identifying and removing the blinders of ideology to seriously reconsider the sometimes more radical and certainly more complex politics of social formation and identity in the eighteenth century that we have overlooked.' German Studies Review

Schlipphacke's focus on dramatic tableaux and tableaux vivants, gesture, and props offers genuinely new ways of understanding the ways in which dramas and novels from around 1750 to 1820 depict—and, in depicting, imagine, suggest, and experiment with—affective ties that are not limited to the strictly biological. Monatshefte

The Aesthetics of Kinship is a challenging but rewarding study. It forces the reader to reconsider assumptions about the rise of the nuclear family in early-modern Europe. It also provides valuable tools for analyzing visual and ekphrastic elements of literature. New Perspectives on the Eighteenth Century

[A] thoroughly innovative and convincing analysis of the significance and uniqueness of the tableau in German dramas and literature during the Enlightenment and Classical periods. Oxford German Studies

An incisive rethinking of a widely naturalized construction of the bourgeois nuclear family and its representation in the long eighteenth century. Lessing Yearbook/Jahrbuch

Historically significant and extremely timely! Schlipphacke’s fascinating turn to the period tableaux compellingly illustrates aesthetic experiments with diverse forms of relations, fruitfully challenging accounts of the rise of the nuclear family. Stefani Engelstein, author of Sibling Action: The Genealogical Structure of Modernity

Schlipphacke’s smart style brings the eighteenth-century tableau into vivid life. This wonderfully learned study expands our understanding of the eighteenth-century tableau beyond its immediate theatrical and painterly associations to show how it reframed models of family and kinship. Challenging the long standing presumption that the Bildungsroman coalesced around the nuclear family, Schlipphacke illuminates the tableau’s elastic depiction of porous social relations across an array of genres and media. Her queer, allegorical sensibility draws our attention away from the hermeneutic depths of the Romantic nuclear family onto the tableau’s surface alignments. The Aesthetics of Kinship brilliantly condenses eighteenth-century theories of spectatorship, theater, and the novel. Daniel Purdy, author of On the Ruins of Babel: Architectural Metaphor in German Thought

Schlipphacke demonstrates an active curiosity and adept intellect as she analyzes literary forms (such as unconventional endings and halted narrative progression) as challenges to the inward-focused, nuclear family as it begins to unfold into the nineteenth century. Rare is the scholar who links the study of social relations to aesthetics. Alice Kuzniar, author of The Birth of Homeopathy out of the Spirit of Romanticism

The Aesthetics of Kinship provides a thoroughly new understanding of how German authors, including major ones like Lessing, Schiller, and Goethe, used tableaux, props, and letters to highlight multiple types of family kinships that depict heterogeneous social groupings that highlight diversity, and that defy any narrow definition of ‘family.’ Susan Gustafson, author of Goethe’s Families of the Heart