A study of five graphic novels or memoirs that have reshaped the narrative of civil rights in America—and an examination of the format’s power to allow readers to participate in the memory-making process.

A close reading of the innovative, distinctive vision of Pere Joan, who has pushed boundaries in Spain's comics scene for more than four decades and stoked a new understanding of the nature of reading comics.

The first book devoted to the hybrid genre of the film photonovel, applying a comparative textual media framework to a previously overlooked aspect of the history of film and literary adaptation.

Challenging common critical practices and offering new interpretations of canonical texts by Marjane Satrapi, Alan Moore, Kyle Baker, Chris Ware, and others, this volume offers the first major critique of the field of comics studies.

Tracing the rise of the Marvel Comics brand from the creation of the Fantastic Four to the development of the Marvel Cinematic Universe, this volume of original essays considers how a comic book publisher became a transmedia empire.

Uniting the perspectives of comics studies and childhood studies, this pioneering collection is the first book devoted to representations of childhood in iconic US and international comics from the 1930s to the present.

The first study in English of Latin American graphic narrative, this book explores the genre’s Argentine and Brazilian traditions, illuminating the different social, political, and historical conditions from which they emerged.

Contrary to the idea that comics have naturally matured into respectability, Arresting Development offers a new understanding of comics’ history that connects the genre’s difficult past to its unstable present and uncertain future.

The first volume in a trailblazing series on world comics and graphic nonfiction, this book presents a comprehensive array of historical, formal, and cognitive approaches to Latino comics—an exciting popular culture space that captures the distinctive and