Visible Ink
104 pages, 5 1/2 x 9
Paperback
Release Date:06 Mar 2002
ISBN:9780817311551
Hardcover
Release Date:06 Mar 2002
ISBN:9780817311544
Visible Ink
University of Alabama Press
This final collection of poems from witty wordsmith and rhyme builder George Starbuck greatly expands his oeuvre and offers witness to the transformative power of poetry when practiced by a master.
In this last original book from renowned poet George Starbuck, we see a joyous and clear-eyed deepening of his work as he knowingly approaches death. Starbuck's skill with the American language and sensitivity to the rhythms of vernacular speech, his lyric sensibility (at once erudite and irreverent), and his impish satire engaging broad social and political issues are all trademarks of his widely praised verse. So too is his technical agility, richly displayed here in multiple forms, but particularly in the formal invention he called Standard Length and Breadth Sonnets, or SLABS.
Most of the poems in Visible Ink were originally published in the Atlantic Monthly, Grand Street, the Iowa Review, and TriQuarterly. All are infused with Starbuck's signature wit and intelligence and range in subject matter from war to pop culture, from experiments with language to shopping mall madness, from baseball and jazz to the eternal beauties of physics.
George Starbuck was a well-loved luminary of modern American poetry, a poet whose obsessions and virtuosities have no equal. His verse is said to be "fit for the 4th of July"-a stunning display of verbal, intellectual, and political pyrotechnics that tease the mind, spark the wit, and light the dark places of the national conscience. As X.J. Kennedy once put it, "George Starbuck makes the American language roll over and whistle "Dixie."
In this last original book from renowned poet George Starbuck, we see a joyous and clear-eyed deepening of his work as he knowingly approaches death. Starbuck's skill with the American language and sensitivity to the rhythms of vernacular speech, his lyric sensibility (at once erudite and irreverent), and his impish satire engaging broad social and political issues are all trademarks of his widely praised verse. So too is his technical agility, richly displayed here in multiple forms, but particularly in the formal invention he called Standard Length and Breadth Sonnets, or SLABS.
Most of the poems in Visible Ink were originally published in the Atlantic Monthly, Grand Street, the Iowa Review, and TriQuarterly. All are infused with Starbuck's signature wit and intelligence and range in subject matter from war to pop culture, from experiments with language to shopping mall madness, from baseball and jazz to the eternal beauties of physics.
George Starbuck was a well-loved luminary of modern American poetry, a poet whose obsessions and virtuosities have no equal. His verse is said to be "fit for the 4th of July"-a stunning display of verbal, intellectual, and political pyrotechnics that tease the mind, spark the wit, and light the dark places of the national conscience. As X.J. Kennedy once put it, "George Starbuck makes the American language roll over and whistle "Dixie."
Starbuck's rollicky rococo satiric wit is unique in our time.'
—Maxine Kumin
As a poetic prankster, Starbuck is sui generis. He's not just fooling around for the heck of it. His higher purpose is revolutionary.'
—Publishers Weekly
George Starbuck (1931—1996) published eight books of poetry in his lifetime, including White Paper and The Argot Merchant Disaster. A posthumous volume, Visible Ink, was published by The University of Alabama Press in 2002. Starbuck was widely known for 25 years as a teacher of poetry and director of writing programs at the University of Iowa and Boston University. He was the distinguished chair in poetry at The University of Alabama before his death in 1996.
