Creative Collectives follows the artistic and ideological journeys of two groups of northern California Chicana artists involved in collectives which created complex images whose powerful visual social commentary sprang from the daily experiences of their lives.

Originally published by the Sierra Club in 1995, this handbook covers genres, techniques, and publication issues for aspiring writers, scholars, and students who want to share their experiences in nature and the outdoors.

Pedro Romero de Terreros, the first Count of Regla, was born in Spain in 1710, but when he was twenty-one, his parents sent him to live with an uncle in New Spain to assume control of the family's businesses. Edith Couturier uses Regla's career to address the growing social tensions of the eighteenth century in New Spain.

First published in 1984, Robert Utley's The Indian Frontier of the American West 1846-1890 is considered a classic for both students and scholars. For this revision, Utley includes scholarship and research that has become available in recent years.

In this examination of Chicano/a literature, Manuel M. Martin-Rodriguez analyzes the ways it connects with and is shaped by the interaction with its audiences.

The seventeen essays reprinted in this anthology address the ways in which western women have experienced the twentieth century.

Author Linda G. Harris and photographer Pamela Porter have divided the state into eleven regions comprising seventy ghost towns, from the Santa Fe Trail and Colfax County in the north to the boot heel in the south.

A study of the Native American Vendors Program, which provides Santa Fe-area American Indian vendors space under the Portal of the Palace of the Governors to sell jewelry, pottery, and other items they have made.

This award-winning text on New Mexico folklore traditions is now available in a shorter edition.

By examining both historic and contemporary examples, the editors move discussion of the enameled earthenware known as mayolica beyond its stylistic merits in order to understand it in historic and cultural context. It places the ceramics in history and daily life, illustrating their place in trade and economics.