The University of Alabama Press
As the scholarly publishing arm of the university, The University of Alabama Press serves as an agent in the advancement of learning and the dissemination of scholarship. The Press applies the highest standards to all phases of publishing including acquisitions, editorial, production, and marketing.

UAP has won numerous awards for its publications over the years and has developed a solid list of titles in archaeology, public administration, and several areas of literature and history. With a staff of 17, the Press publishes between 80 to 85 books a year and has a backlist of approximately 1,800 titles in print.
Showing 621-630 of 1,980 items.

The Victory Album

Reflections on the Good Life after the Good War

University of Alabama Press
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Tennesseans at War, 1812–1815

Andrew Jackson, the Creek War, and the Battle of New Orleans

University of Alabama Press

Tennesseans at War, 1812–1815 by Tom Kanon tells the often forgotten story of the central role citizens and soldiers from Tennessee played in the Creek War in Alabama and War of 1812.

  • Copyright year: 2014
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Hunt the Devil

A Demonology of US War Culture

University of Alabama Press

Hunt the Devil explains the origins and processes of the repetitive American reflex to demonize and then wage war against perceived opponents as well as ways to break the cycle.

  • Copyright year: 2015
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For Decades I Was Silent

A Holocaust Survivor's Journey Back to Faith

University of Alabama Press

A fascinating memoir about a Holocaust survivor's loss of and journey back to faith.

  • Copyright year: 2008
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Colonizing Paradise

Landscape and Empire in the British West Indies

University of Alabama Press

Explores how perceptions and depictions of the physical landscape both reflected and influenced the history of the British colonial Caribbean

  • Copyright year: 2015
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What I Say

Innovative Poetry by Black Writers in America

Edited by Aldon Lynn Nielsen and Lauri Ramey; Preface by Aldon Lynn Nielsen and Lauri Ramey; Introduction by C. S. Giscombe
University of Alabama Press

What I Say is the second book in a landmark two-volume anthology that explodes narrow definitions of African American poetry by examining experimental poems often excluded from previous scholarship. The first volume, Every Goodbye Ain’t Gone, covers the period from the end of World War II to the mid-1970s. In What I Say, editors Aldon Lynn Nielsen and Lauri Ramey have assembled a comprehensive and dynamic collection that brings this pivotal work up to the present day.

  • Copyright year: 2015
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The Rise of Constitutional Government in the Iberian Atlantic World

The Impact of the Cádiz Constitution of 1812

University of Alabama Press

The Rise of Constitutional Government in the Iberian Atlantic World is a collection of original essays that offer insights into how the Cádiz Constitution of 1812 shaped and influenced the political culture of Iberian America.

  • Copyright year: 2015
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Inside the Teaching Machine

Rhetoric and the Globalization of the U.S. Public Research University

University of Alabama Press

Inside the Teaching Machine argues that the U.S. public research university has always been a vital component of the capitalist political economy. Advocates of higher education have long contended that universities should operate above the crude material negotiations of economics and politics. Such arguments often ignore the historical reality that the American university system emerged through, and in service to, a capitalist political economy.

  • Copyright year: 2008
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If It Takes All Summer

Martin Luther King, the KKK, and States' Rights in St. Augustine, 1964

By Dan R. Warren; Foreword by Morris Dees
University of Alabama Press

An insider’s record of the St. Augustine Civil Rights drama.

  • Copyright year: 2008
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Edith Wharton in Context

Essays on Intertextuality

University of Alabama Press

These new and classic essays, researched and written over a 25-year period, are driven and enriched by the enthusiasm, curiosity, and passion of a scholar still making discoveries about a subject of lifelong fascination. Essays at the center of the collection explore Wharton’s textual relationships with authors whom she knew well—especially Henry James but also Paul Bourget, F. Marion Crawford, and Vivienne de Watteville.

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