An exciting addition to the ongoing debate about the place of regionalism in American literary history.American regionalism has become a contested subject in literary studies alongside the ubiquitous triad of race, class, and gender. The Color of Democracy in Women’s Regional Writing enters into the heart of an ongoing debate in the field about the significance of regional fiction at the end of the 19th century. Jean Griffith presents the innovative view that regional writing provided Edith Wharton, Ellen Glasgow, and Willa Cather with the means to explore social transformation in a form of fiction already closely associated with women readers and writers.Griffith provides new readings of texts by these authors; she places them alongside the works of their contemporaries, including William Faulkner and Langston Hughes, to show regionalism’s responses to the debate over who was capable of democratic participation and reading regionalism’s changing mediations between natives and strangers as reflections of the changing face of democracy.This insightful work enriches the current debate about whether regionalism critiques hierarchies or participates in nationalist and racist agendas and will be of great interest to those invested in regional writing or the works of these significant authors.

Theatre History Studies is a peer–reviewed­ journal of theatre history and scholarship published annually since 1981 by the Mid–American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The purpose of MATC is to unite people and organizations in their region with an interest in theatre and to promote the growth and development of all forms of theatre.

The songs, sermons and other materials collected in this anthology thoroughly characterize and demonstrate the distinctive language and culture that developed when African and European exiles came together on the plantations of Jamaica. Accounts of planters, slave-trading captains, and other testimonies from both the colonial and indigenous population effectively illustrate the unfolding of this unique culture.

The August 30, 1813, massacre at Fort Mims left hundreds dead and ultimately changed the course of American history. The Indian victory shocked and horrified a young America, ushering in a period of violence surrounded by racial and social confusion. Fort Mims became a rallying cry, calling Americans to fight their assailants and avenge the dead. In A Conquering Spirit, Waselkov thoroughly explicates the social climes surrounding this tumultuous moment in early American history with a comprehensive collection of illustrations, artifact photographs, and detailed accounts of every known participant in the attack on Fort Mims. These rich and extensive resources make A Conquering Spirit an invaluable collection for any reader interested in America’s frontier era. * Winner of the Adult Nonfiction Book of the Year award by the Alabama Library Association* Winner of the Clinton Jackson Coley award from the Alabama Historical Association