Becoming Brothertown makes a significant contribution to North American Native-Colonial literature and will attract a large audience among historians, archaeologists, and anthropologists. Craig N. Cipolla draws upon material culture, architecture, and historical documents to emphasize issues of community, identity, and memory in the past, while exploring the pragmatic impact of collaborative Indigenous archaeology on the present.

This groundbreaking collection provides fascinating stories of wisdom, spiritual power, and forces within tribal communities that have influenced the past and may influence the future. Through discussions of omens, prophecies, war, peace, ceremony, ritual, and cultural items such as masks, prayer sticks, sweat lodges, and peyote, this volume offers examples of the ways in which Native American beliefs in spirits have been and remain a fundamental aspect of history and culture.

Critically acclaimed author Tom Miller reveals the making and marketing of one Panama hat, from the straw fields of Ecuador’s coastal lowland to a hat shop in Southern California. Along the way, the hat becomes a literary device allowing Miller to give us his impressions from the tributaries of the Amazon to the mountainsides of the Andes. The Panama Hat Trail is at once a study in global economics and a lively travelogue.

The foremost expert on Latinx comics, Frederick Luis Aldama guides us through the full archive of all the Latinx superheros in comics since the 1940s. Aldama takes us where the superheroes live—the barrios, the hospitals, the school rooms, the farm fields—and he not only shows us a view to the Latinx content, sometimes deeply embedded, but also provokes critical inquiry into the way storytelling formats distill and reconstruct real Latinos/as.

Since his first visit to the island thirty years ago, Tom Miller has shown us the real people of Havana and the countryside, the Castros and their government, and the protesters and their rigor. His first book on Cuba, Trading with the Enemy, brought readers into the “Special Period,” Fidel’s name for the country’s period of economic free fall. Cuba, Hot and Cold brings us up to date, providing intimate and authentic glimpses of day-to-day life.
 

Palm Frond with Its Throat Cut uses both humor and sincerity to capture moments in time with a sense of compassion for the hard choices we must make to survive. Vértiz’s poetry shows how history, oppression, and resistance don’t just refer to big events or movements; they play out in our everyday lives, in the intimate spaces of family, sex, and neighborhood. Vértiz’s poems ask us to see Los Angeles—and all cities like it—as they have always been: an America of code-switching and reinvention, of lyric and fight.

In this long-anticipated collection, Belin daringly maps the poetics of womanhood, the body, institution, family, and love. Depicting the personal and the political, Of Cartography is an exploration of identity through language. With poems ranging from prose to typographic and linguistic illustrations, this distinctive collection pushes the boundaries of traditional poetic form.

Wanderers and writers, gangbangers and lawyers, dreamers and devils. The King of Lighting Fixtures paints an idiosyncratic but honest portrait of Los Angeles, depicting how the city both entrances and confounds. Each story serves as a reflection of Daniel A. Olivas’s grand City of Angels, a “magical metropolis where dreams come true.”

In The Nature of Spectacle, Jim Igoe explores how we imagine nature and how nature shapes our imaginations. The book traces spectacular productions of imagined nature across time and space, illuminating the often surprising intersections of consumerism, entertainment, and environmental policy.

No Species Is an Island describes the surprising results of Theodore H. Fleming’s eleven-year study of pollination biology in Sonora, Mexico, in the most biologically diverse desert in the world. These discoveries serve as a primer on how to conduct ecological research, and offer important conservation lessons for us all. Fleming offers an insightful look at how field ecologists work, and the often big surprises that come from looking carefully at a natural world where no species stands alone.