Since the beginning of the reservation era, the bitter conflict between Indians and non-Indians over water rights was largely confined to the courtroom. But in the 1980s the federal government began to emphasize negotiated settlements over lawsuits, and the settlements are changing water rights in fundamental ways—not only for tribes but also for non-Indian communities that share scarce water resources with Indians.

In Native Waters, Daniel McCool describes the dramatic impact these settlements are having both on Indian country and on the American West as a whole. Viewing the settlements as a second treaty era, he considers whether they will guarantee the water future of reservations—or, like treaties of old, will require tribes to surrender vast resources in order to retain a small part of their traditional homelands. As one tribal official observed, "It's like your neighbors have been stealing your horses for many years, and now we have to sit down and decide how many of those horses they get to keep." Unlike technical studies of water policy, McCool's book is a readable account that shows us real people attempting to end real disputes that have been going on for decades. He discusses specific water settlements using a combination of approaches—from personal testimony to traditional social science methodology—to capture the richness, complexity, and human texture of the water rights conflict. By explaining the processes and outcomes in plain language and grounding his presentation in relevant explanations of Indian culture, he conveys the complexity of the settlements for readers from a wide range of disciplines.

Native Waters illustrates how America is coming to grips with an issue that has long been characterized by injustice and conflict, seeking to enhance our understanding of the settlements in the hope that this understanding will lead to better settlements for all parties. As one of the first assessments of a policy that will have a pervasive impact for centuries to come, it shows that how we resolve Indian water claims tells us a great deal about who we are as a nation and how we confront difficult issues involving race, culture, and the environment.

One of the most recognizable animals of the Southwest, the desert tortoise (Gopherus agassizii) makes its home in both the Sonoran and Mohave Deserts, as well as in tropical areas to the south in Mexico. Called by Tohono O'odham people "komik'c-ed," or "shell with living thing inside," it is one of the few desert creatures kept as a domestic pet—as well as one of the most studied reptiles in the world.

Most of our knowledge of desert tortoises comes from studies of Mohave Desert populations in California and Nevada. However, the ecology, physiology, and behavior of these northern populations are quite different from those of their southern, Sonoran Desert, and tropical cousins, which have been studied much less. Differences in climate and habitat have shaped the evolution of three races of desert tortoises as they have adapted to changes in heat, rainfall, and sources of food and shelter as the deserts developed in the last ten million years.

This book presents the first comprehensive summary of the natural history, biology, and conservation of the Sonoran and Sinaloan desert tortoises, reviewing the current state of knowledge of these creatures with appropriate comparisons to Mohave tortoises. It condenses a vast amount of information on population ecology, activity, and behavior based on decades of studying tortoise populations in Arizona and Sonora, Mexico, and also includes important material on the care and protection of tortoises.

Thirty-two contributors address such topics as tortoise fossil records, DNA analysis, and the mystery of secretive hatchlings and juveniles. Tortoise health is discussed in chapters on the care of captives, and original data are presented on the diets of wild and captive tortoises, the nutrient content of plant foods, and blood parameters of healthy tortoises. Coverage of conservation issues includes husbandry methods for captive tortoises, an overview of protective measures, and an evaluation of threats to tortoises from introduced grass and wildfires. A final chapter on cultural knowledge presents stories and songs from indigenous peoples and explores their understanding of tortoises.

As the only comprehensive book on the desert tortoise, this volume gathers a vast amount of information for scientists, veterinarians, and resource managers while also remaining useful to general readers who keep desert tortoises as backyard pets. It will stand as an enduring reference on this endearing creature for years to come.

Newcomers to Tucson know the Santa Cruz River as a dry bed that can become a rampaging flood after heavy rains. Yet until the late nineteenth century, the Santa Cruz was an active watercourse that served the region's agricultural needs—until a burgeoning industrial society began to tap the river's underground flow.

The Lessening Stream reviews the changing human use of the Santa Cruz River and its aquifer from the earliest human presence in the valley to today. Michael Logan examines the social, cultural, and political history of the Santa Cruz Valley while interpreting the implications of various cultures' impacts on the river and speculating about the future of water in the region.

Logan traces river history through three eras—archaic, modern, and postmodern—to capture the human history of the river from early Native American farmers through Spanish missionaries to Anglo settlers. He shows how humans first diverted its surface flow, then learned to pump its aquifer, and today fail to fully understand the river's place in the urban environment.

By telling the story of the meandering river—from its origin in southern Arizona through Mexico and the Tucson Basin to its terminus in farmland near Phoenix—Logan links developments throughout the river valley so that a more complete picture of the river's history emerges. He also contemplates the future of the Santa Cruz by confronting the serious problems posed by groundwater pumping in Tucson and addressing the effects of the Central Arizona Project on the river valley.

Skillfully interweaving history with hydrology, geology, archaeology, and anthropology, The Lessening Stream makes an important contribution to the environmental history of southern Arizona. It reminds us that, because water will always be the focus for human activity in the desert, we desperately need a more complete understanding of its place in our lives.

One of the largest archaeological projects ever undertaken in North America, Peabody Coal Company's Black Mesa Archaeological Project conducted investigations in northeastern Arizona from 1967 to 1983. This mammoth undertaking recognized and recovered the remains of ephemeral camps, early agricultural sites, Puebloan villages, and ...

He has been called "the father of Chicano music" and "the original Chicano hepcat." A modest man in awe of his own celebrity, he has sung of the joys and sorrows, dreams and frustrations of the Mexican American community over a sixty-year career. Lalo Guerrero is an American original, and his music jubilantly reflects the history of Chicano popular culture and music.

Lalo's autobiography takes readers on a musical rollercoaster, from his earliest enjoyment of Latino and black sounds in Tucson to his burgeoning career in Los Angeles singing with Los Carlistas, the quartet with which he began his recording career in 1938. During the fifties and sixties his music dominated the Latin American charts in both North and South America, and his song "Canción Mexicana" has become the unofficial anthem of Mexico.

Through the years, Lalo mastered boleros, rancheras, salsas, mambos, cha-chas, and swing; he performed protest songs, children's music, and corridos that told of his people's struggles. Riding the crest of changing styles, he wrote pachuco boogies in one period and penned clever Spanish parodies of American hit songs in another. For all of these contributions to American music, Lalo was awarded a National Medal of the Arts from President Clinton.

Lalo's story is also the story of his times. We meet his family and earliest musical associates—including his long relationship with Manuel Acuña, who first got Lalo into the recording studio—and the many performers he counted as friends, from Frank Sinatra to Los Lobos. We relive the spirit of the nightclubs where he was a headliner and the one-night stands he performed all over the Southwest. We also discover what life was like in old Tucson and in mid-century L.A. as seen through the eyes of this uniquely creative artist.

"In 1958," Guerrero recalls, "I wrote a song about a Martian who came to Earth to clear up certain misunderstandings about Mars. Now I have decided that it is time to set some things straight about Lalo Guerrero." Lalo does just that, in an often funny, sometimes sentimental story that traces the musical genius of a man whose talent has taken him all over the world, but who still believes in giving back to the community. His story is a gift to that community.

The book also features a detailed discography, compiled by Lalo's son Mark, tracing his recorded output from the days of 78s to his most recent CDs.