Spike, Mike, Slackers & Dykes
392 pages, 6 x 9
Paperback
Release Date:15 Mar 2014
ISBN:9780292757684
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Spike, Mike, Slackers & Dykes

A Guided Tour across a Decade of American Independent Cinema

University of Texas Press

#66, The 100 Greatest Film Books of All Time, The Hollywood Reporter

The legendary figure who launched the careers of Spike Lee, Michael Moore, and Richard Linklater offers a no-holds-barred look at the deals and details that propel an indie film from a dream to distribution.

Pierson, a producer’s representative, explains how he has helped filmmakers with no profile at the time to get their work made, sold and seen by the world, sharing stories about Lee’s She’s Gotta Have It, Moore’s Roger & Me and Linklater’s Slackers, plus Hoop DreamsClerks and many others. Chats with Kevin Smith serve as interstitials between chapters.

John Pierson has faithfully chronicled the American independent scene. He was there, he knows. Spike Lee
The most contentiously witty and revealing view of off-Hollywood around. Rolling Stone
Sly, knowledgeable, deeply entertaining.. . . You couldn’t do much better than to hop aboard this ten-year wild ride. Grade: A. Entertainment Weekly

John Pierson hunted down, represented, and, in some cases, financed over twenty first-time independent features by directors including Spike Lee, Michael Moore, Richard Linklater, and Kevin Smith. After writing this chronicle of that era, he created and hosted IFCtv's first original series Split Screen, a globe-trotting, magazine-format show by filmmakers for film aficionados, which eventually took him and his family to Fiji's remote 180 Meridian Cinema. When he returned, Pierson moved to Austin to teach in the University of Texas Department of Radio-Television-Film, where he’s interviewed over seventy notable industry guests in his RTF master class.

  • Introduction: Stranger Than Fiction
  • Dialogue. Leaders
  • A Quick and Slanted Pre-1984 History
  • Dialogue. Starting Point
  • Stranger Than Paradise and the First Golden Age
  • Dialogue. Paradise
  • Parting Glances & The New Queer Cinema
  • She’s Gotta Have It
  • Tube Socks and Tube Steaks
  • Black and White
  • Birth of a Salesman
  • Dialogue. Be Like Spike
  • Working Girls and Women
  • Inspector Errol Morris Walks The Thin Blue Line
  • D.O.A.
  • The Dance Part 1
  • Deceased
  • Quantity Not Quality
  • Dialogue. Batman and Sex
  • 1989: The Year It All Changed
  • Dialogue. Sex and Roger
  • Roger and Michael and Me
  • The Cinderella Syndrome
  • How to Make a Studio Deal
  • The Morning After
  • Dialogue. Role Models
  • Slacking Off
  • Dialogue. Straight Outta Business
  • The Next Soderbergh
  • Sundance 1990
  • Sundance 1991
  • Sundance 1992
  • Dialogue. Dogs
  • Sons of Mean Streets
  • Dialogue. $26,685
  • How Low Can a Budget Go?
  • Dialogue. Shannen
  • Amongst Jerks: Rob Weiss and the Dark Side of Overnight Success
  • Toll Money
  • Hitchcock: Who Needs Him?
  • Murder Ink
  • The Odd Couple: Sundance 1994
  • In Hock and Staying There
  • Go Fiscal: Anatomy of a Back End
  • A Doc In The House
  • Dialogue. The Clerky Boys
  • Epilogue: It’s A Wonderful Life, July 4, 1995
  • Acknowledgments
  • Appendix I
  • Appendix II
  • Appendix III
  • Index
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