This examination of the ideology and practice of the Yup'ik Eskimos of the Yukon-Kuskokwim Delta of southwestern Alaska includes traditions, ideology, relations with Christianity, warfare, use of animals, law and order, and the non-native perception of the Yup'ik way of life.

Revising Memory resurrects a particularly dynamic moment in French history when women acted on the political stage and inscribed these often subversive actions in writing.

The essays in this volume deal with representations of the Vietnam war in documentary film and television reporting, examining the ways the power of film is used to deliver political messages. There are surprises here, new readings, and important insights on the ways we as a society have attempted to come to terms with the experiences of the Vietnam era. The book also contains two appendixes-a detailed chronology charting the relationship between major historical events and the release of American war films from 1954 through 1988, and a filmography listing information on over four hundred American and foreign films about the Vietnam War.

Buecheler explains why women’s movements arise, the forms of organization they adopt, the diversity of ideologies they espouse, and the class and racial composition of women’s movements. He also helps us to understand the roots of countermovements, as well as the mixture of successes and failures that has characterized both past and present women’s movements. While recognizing both the setbacks and the victories of the contemporary movement, Buecheler identifies grounds for relative optimism about the lasting consequences of this ongoing mobilization.

Since 1979 Southern Baptists have been noisily struggling to agree on symbols, beliefs, and practices as they attempt to make sense of their changing social world. Nancy Ammerman has carefully documented their struggle. She tells the story of the Baptist reversal from a moderate to a fundamentalist outlook and speculates on the future of the denomination.

Transforming the Cinderella Dream is the first systematic study of the formation and transformation of the Cinderella theme in the English novel. The author's central argument is that the Cinderella plot is essentially one of female self-assertion realized through ideological and textual dialogues between desire and self-denial. On the one hand characters argue for and desire resolution inmarriage and the domestic world of "happily ever after" endings, on the other they and their creators often strive to disengage themselves from this entanglement in a feminist attempt to escape narrative closure.