Day of Jubilee: the Great Age of Public Celebrations in New York, 1788-1909 examines civic performances designed to honor prominent individuals, mark political events and issues of significance in New York City, or signal the completion of great projects that have touched the lives of New Yorkers. The great jubilees of recent years, including the ticker tape parades for the astronauts and championship sports teams and the annual May’s Thanksgiving Day parade, all drew on traditions established in the nineteenth century. 

Now frequently anthologized, Zora Neale Hurston's short story "Sweat" was first published in Firell, a legendary literary magazine of the Harlem Renaissance, whose sole issue appeared in November 1926. Among contributions by Gwendolyn Bennett, Countee Cullen, Langston Hughes, and Wallace Thurman, "Sweat" stood out both for its artistic accomplishment and its exploration of rural Southern black life. In "Sweat" Hurston claimed the voice that animates her mature fiction, notably the 1937 novel Their Eyes Were Watching God; the themes of marital conflict and the development of spiritual consciousness were introduced as well. "Sweat" exemplifies Hurston's lifelong concern with women's relation to language and the literary possibilities of black vernacular.

While many books have been written analyzing the scriptural and theological dimensions of the conflict, none has yet shown how it is being played out in the pews. Congregations in Conflict examines nine churches that were split by disagreements over gay and lesbian issues, and how the congregations resolved them. Hartman explores in very readable prose how different denominations have handled their conflicts and what it says about the nature of their faith. He shows some churches coming through their struggles stronger and more unified, while others irrevocably split. Most importantly, he illuminates how people with a passionate clash of beliefs can still function together as a community of faith.

Change--in population, economy, and culture--is sweeping through American communities. Corner groceries are stocking new foods. New roads are being built and Main Streets abandoned. Schools have come and gone, and old friends move away as strangers arrive. But in every community, no matter how volatile, religious institutions provide for their members places of moral guidance and spiritual nurture, civic participation, and identity.

How do congregations react to significant community change? Why do some religious institutions decline in the face of racial integration while others adapt and grow? How do congregations make sense of economic distress? Do they provide havens from community upheaval or vehicles for change? Congregation and Community is the most comprehensive study to date of congregations in the face of community transformation. Nancy Ammerman and her colleagues include stories of over twenty congregations in nine communities from across the nation, communities with new immigrant populations, growing groups of gays and lesbians, rapid suburbanization, and economic dislocations.

With almost half of the nation's population attending religious services each week, it is impossible to understand change in American society without a close look at congregations. Congregation and Community will exist as a standard resource for years to come, and clergy, academics, and general readers alike will benefit from its insights.

This engaging ethnography is set in the remote district of Toledo in Belize, Central America, where three women weave personal stories about the events in their lives. Each describes her experiences of motherhood, marriage, family illness, emigration, separation, work, or domestic violence that led her to recognize gender inequality and then to do something about it. All three challenge the culture of gender at home and in the larger community.

African American Essays from the 1920s

James Kelley tells the true stories of people who sought help from psychiatrists and ended up suing them for malpractice. These tales are compelling, tragic, and sometimes bizarre. They offer a unique view into a relationship that is normally confidential and caring––but can be catastrophic when it goes wrong.

Max Ophuls, who is considered one of the greatest film directors of all time, has long been seen as an “auteur”––the artist in complete control of his work. Lutz Bacher’s examination of his American career gives us a unique perspective on the workings of the Hollywood system and the struggle of a visionary to function within it. He thus establishes clear connections between the production contexts of Ophuls' American films and their idiosyncratic style.

Toumey focuses on the ways in which the symbols of science are employed to signify scientific authority in a variety of cases, from the selling of medical products to the making of public policy about AIDS/HIV––a practice he calls "conjuring" science. It is this "conjuring" of the images and symbols of scientific authority that troubles Toumey and leads him to reflect on the history of public understanding and perceptions of science in the United States.

Tunis has a long history of city life reaching back to ancient times. The Arabic language is firmly rooted among its inhabitants and most embrace the morals and culture of Islam. Behind Closed Doors presents forty-seven tales told by three Beldi women, members of a historic and highly civilized community, the city's traditional elite. Tale-telling is important to all Beldi women, and the book examines its role in their shared world and its significance in the lives of the three tellers.