Roughly For the North
100 pages, 6 x 9
Paperback
Release Date:15 Nov 2018
ISBN:9781602233621
“I wish I were a dancer to let lines fall like that. / But I am dressed like you, roughly for the North.”
Roughly for the North is a tender and complex portrait of an Arctic and sub-arctic world. Full of lush language and imagery, each poem is an act of devotion and love to one’s family and land. Carrie Ayaġaduk Ojanen weaves a moving portrait of grief, of the rippling effects of historical trauma on succeeding generations, of resilience in the face of adversity, of respect for the Alaska Native traditions she grew up in. With vivid imagery, she draws the reader into Northern life, where the spiritual and industrial collide. She uses formalism and lyrical free verse to explore the natural world and to conjure a place of staggering beauty that hides death around every corner.
A member of the Ugiuvamiut tribe, Ojanen grounds her work in a web of familial relationships. Especially important is her connection with her grandparents, members of the last generation to make their home on Ugiuvak (King Island), Alaska. With heartfelt verse, her poems reflect the staggering cultural changes her grandparents faced and the way traditional art forms continue to unite her community and help them connect to the past.
Roughly for the North is a tender and complex portrait of an Arctic and sub-arctic world. Full of lush language and imagery, each poem is an act of devotion and love to one’s family and land. Carrie Ayaġaduk Ojanen weaves a moving portrait of grief, of the rippling effects of historical trauma on succeeding generations, of resilience in the face of adversity, of respect for the Alaska Native traditions she grew up in. With vivid imagery, she draws the reader into Northern life, where the spiritual and industrial collide. She uses formalism and lyrical free verse to explore the natural world and to conjure a place of staggering beauty that hides death around every corner.
A member of the Ugiuvamiut tribe, Ojanen grounds her work in a web of familial relationships. Especially important is her connection with her grandparents, members of the last generation to make their home on Ugiuvak (King Island), Alaska. With heartfelt verse, her poems reflect the staggering cultural changes her grandparents faced and the way traditional art forms continue to unite her community and help them connect to the past.
The works underscore the reality that the events of the past are both immutable and removed, but equally irresistable to consideration. It is a profound sentiment but also a tough one. . . . There are poems that present the anguish her elders felt to be separated from not only their home, but their customs. They capture the cultural changes that were endured, the scraps of identity that were salvaged in the transition and brief moments of reclamation.
Ojanen . . . evokes life on Alaska’s western shore. Physically difficult work, subsistence, traditional culture, death and renewal. And she offers some memorable descriptions of nature.
Carrie Ayaġaduk Ojanen is an Inupiat writer from the Ugiuvamiut tribe. Her work has appeared in Prairie Schooner, the Louisville Review, As/Us Journal, and Yellow Medicine Review.
