Last Paper Standing chronicles the history of competition between the Denver Post and Rocky Mountain News—from both newspapers’ origins to their joint operating agreement in 2001 to the death of the News in 2009—to tell a broader story about the decline of newspaper readership in the United States.

“Back him up! Buy Victory Bonds.” Boosters and Barkers examines the unrelenting financial demands of Canadian participation in the First World War, exploring the aims, methods, and implications of securing public support.

In Beyond Productivity, a wide range of contributors share honest narratives of the sometimes-impossible conditions that scholars face when completing writing projects.

Vernacular responses have been crucial for communities seeking creative ways to cope with the coronavirus pandemic.

A captivating visual and narrative journey into the ecology of Florida’s animals, this book features brilliant wildlife photography and intimate storytelling that introduces the variety of species within the state.

This book fuses Latinx studies and video game studies to document how Latinx masculinities are portrayed in high-budget action-adventure video games. Developing an original approach to video game experiences, the author theorizes video games as border crossings, and defines a new concept—digital mestizaje—that pushes players, readers, and scholars to deploy a Latinx way of seeing constructive as well as destructive qualities.

When Cowboys Come Home shows how World War II changed the ways men thought about their roles in American society. For three writers who served—James Jones, Stewart Stern, and Edward Field—the war taught that manhood didn’t have to be based on bravery and heroism, but could be defined by authenticity, sensitivity, and male camaraderie. Rebelling against the orthodoxies of their time, these veterans reimagined what roles a man could play and their work set the foundation for the revolutions of the sixties.
 

Watching While Black Rebooted: The Television and Digitality of Black Audiences examines what watching while Black means within an expanded U.S. televisual landscape. In this edition, media scholars return to television and digital spaces (those spaces relying on television structure) to think anew about what engages and captures Black audiences and users and why it matters.

Watching While Black Rebooted: The Television and Digitality of Black Audiences examines what watching while Black means within an expanded U.S. televisual landscape. In this edition, media scholars return to television and digital spaces (those spaces relying on television structure) to think anew about what engages and captures Black audiences and users and why it matters.

Self-Alteration: How People Change Themselves across Cultures approaches the subject of the self and its becoming through the exploration of modes of its transformation, including through religious and spiritual traditions and innovations; embodied participation in therepeutic prorams like psychoanalysis and gendered care services; and through political activism or relationships with animals. The essays in this collection show that both minor and major modes of self-alteration exist in many places and times, and across very different modern societies.