Teenage Dreams explores why girlhood sexual behaviors and identities became the focus of so much intense, divisive debate and discourse in the late-twentieth century and early twenty-first century US. In doing so, it reveals unexpected moral and political fluidity amongst culture wars actors, which challenge our understanding of this period of political turmoil as a whole.

Redefining Multicultural Families in South Korea: Reflections and Future Directions aims to reinvigorate contemporary discussions about Korean families that include immigrants by expanding the scope of what we consider to be multicultural families to include the families of undocumented migrant workers, divorced marriage immigrants, the families of Korean women with immigrant husbands, and by providing a nuanced look at their lives in Korea, not as newcomers but as first-generation immigrants.

Branding Black Womanhood: Media Citizenship from Black Power to Black Girl Magic examines how corporate brands and media companies appropriated Black women's empowerment as a business enterprise. Beginning with the emergence of Essence magazine and continuing into the 2010s, Timeka N. Tounsel considers the affordances and limitations of media visibility and corporate attention.
 

Afro-Brazilians are presented with a whole range of identity choices, from how to classify oneself to whether one votes for political candidates based on shared racial experiences. Between Black and Brown argues that Afro-Brazilian activists’ continued exploration of blackness confronts anti-blackness while complicating understandings of what it means to be black. This book raises complex questions about current black struggles in Brazil and beyond, including the black movements’ political initiatives and antiracist agenda.

Gathering essays by some of the most distinguished scholars in eighteenth-century studies, A Clubbable Man takes as its theme textual and social group formations, while simultaneously honoring the achievements of Greg Clingham. Rounding out the collection are tributes from former students and colleagues, including original poetry.
 

A firsthand remembrance of the artists, engineers, crews, and settings that make roots music magical

This compassionate yet unflinching exposé of the pitfalls of Indigenous–non-Indigenous solidarity work offers a constructive framework for non-colonizing solidarity that can be applied in any context of unequal power.

At the time of his death in 1935, Harry S. Swarth, head of the Mammalogy and Ornithology Departments at the California Academy of Sciences in San Francisco, had been preparing a manuscript reflecting on twenty-five years of his research in coastal Alaska and British Columbia. “The Distribution and Migrations of Birds in Adjacent Alaska and British Columbia” summarized Swarth’s research, ideas, and conjectures on the bird life in the region, including theories about when and how birds populated this vast territory after the retreat of glaciers near the end of the Pleistocene. Drawing on his field experiences and his forty published scientific papers, Swarth’s manuscript represented state-of-the-art science for the time. And his ideas hold up; his papers are still cited by ornithologists today.

In 2019, Christopher Swarth, Harry’s grandson and a scientist in his own right, discovered the forgotten manuscript. This book includes the original unpublished manuscript, accompanied by contextual essays from contemporary ornithologists who examine the impact and relevance of Swarth’s research on coastal bird diversity, fox sparrow migration, and the systematic puzzle of the timberline sparrow. Expedition maps display field camps and exploration routes, and species checklists illustrate the variety of birds observed at key field sites. To bring additional color and insight, The Origin and Distribution of Birds in Coastal Alaska and British Columbia also includes excerpts from Harry Swarth’s field notes, a comprehensive list of Harry Swarth’s publications, and a glossary with historic and contemporary bird names. Naturalists, ornithologists, birders, and all those who want to learn more about the natural history of the region will delight in the rediscovery of this long-lost treasure.

 

Pleasure and Panic illustrates how attitudes toward drug and alcohol consumption are complicated by the politics, economics, and culture of their times.

This edited collection offers chapters based on presentations at the Second Latin American Association of Writing Studies in Higher Education and Professional Contexts International Congress (II ALES) held in Santiago, Chile, in 2018.

House Rules takes a hard look at the law and norms governing family life, compelling readers to rethink entrenched inequalities in familial relationships and proposing ways to approach legislative solutions.

Changing of the Guards is the first comprehensive assessment of how for- and not-for-profit private organizations are reshaping Canadian criminal justice processes and outcomes.

Earth’s weary lovers are tired, perplexed, and battered from all directions. Their hearts have so often been broken. It’s hard to go on, but it is morally impossible to quit. How do Earth’s protectors find the heart to continue the struggle?

To this question, environmental philosopher Kathleen Dean Moore and Canadian artist Bob Haverluck bring twenty-two life-affirming essays and drawings. Their entwined art offers pluck, stubborn resolve, and even some laughter to those who have for years been working for environmental sanity, social justice, and ecological thriving.

What Moore and Haverluck offer is encouragement to join or keep on with Earth’s work—not distractions, but deep and honest reasons to remember that the struggle matters. Rather than another to-do list or an empty promise of hope, Take Heart is a thank-you gift to the multitudes of Earth’s defenders. Inside its pages, they will find reason to take heart.

Taking heart is not hope exactly, but maybe it’s courage. Not solutions to the planetary crisis, but some modest advice for the inevitable crisis of the heart. A rueful grin, and gratitude to be part of this strange and necessary work for the endangered Earth.