The first intensive study of Mervyn LeRoy’s work, as varied in form as it is crucial to an understanding of American cinema and American culture.

The first intensive study of Mervyn LeRoy’s work, as varied in form as it is crucial to an understanding of American cinema and American culture.

The first biography of prolific modern American artist Leon Bibel, this book tells how a boy from a Jewish shtetl received support from New Deal agencies that recognized his talents. Reprinting over 240 of Bibel’s works, many in vivid color, it reveals how he depicted everything from the horrors of lynching to the pleasures of everyday life.  

Imagining the Tropics is a history of the development of tourism in the Caribbean across the twentieth century that focuses on the ways women’s labors of hospitality, writing, and advocacy built the industry and its ubiquitous imagery of tropical island relaxation, escape, and romance.

A new edition of 1897’s Citizen Bird, the first birding guide for children and a vital text in the history of American conservationism, updated with explanatory footnotes, supplemental historical material, and a new introduction that places the book in its cultural context. 
 

Betrayal U: The Politics of Belonging in Higher Education is a timely and incisive anthology edited by Rebecca G. Martínez and Monica J. Casper. This groundbreaking volume dives into the heart of institutional betrayal within academia, offering a diverse range of narratives, art, and poetry that address why belonging matters in higher education.
 

Back to Black provides the first full-length critical analysis of Jules Feiffer’s late-career graphic novels Kill My Mother (2014), Cousin Joseph (2016), and The Ghost Script (2018), examining how they pay playful homage to the cinematic techniques and iconography of film noir while addressing serious themes like McCarthyism, antisemitism, and gender discrimination.