An on-the-ground account of the design and evolution of West Bank settlements, showing how one of the world’s most contested landscapes was produced by unexpected conflicts and collaborations among widely divergent actors.

This book presents a variety of approaches to better understanding piracy through archaeological investigations, landscape studies, material culture analyses, and documentary and cartographic evidence.

This volume addresses the ways maritime archaeologists have engaged citizen scientists, presenting examples of projects and organizations that have involved volunteers in the important work of gathering and processing data.

The Challenges of a Secular Quebec opens up the debates that gave rise to a controversial law on state religious neutrality, taking an open-minded look at how secularism is understood and how it has imposed itself in the Quebec social space.

Silent Partners delves into the shadowy world of security and national defence to shine a light on the influence they hold in Canadian society.

In an introductory essay to Scene Shifting, Dan Powell speaks of his father’s influence on him in his youth. He describes growing up in the 1950s and 60s in the Roza District, a spacious agricultural valley that was etched out of the sage desert in South Central Washington. He also traces the impact that the nearby Hanford Atomic Works had on his family and the region. At an early age Powell’s concept of the American West was shaped by all three of these factors. The 101 black and white duotone images featured in this compelling volume are mostly from large format negatives (8x10 and 4x5). They highlight a particular period in Powell’s art practice, the 1980s and 90s, when he photographed in the high desert country of Oregon and Washington, as well as in Nevada, California, Arizona, Idaho, and Utah. Several images from the Midwest mark his graduate school experience and first teaching position, before he migrated back to the West to teach photography at the University of Oregon. In photographing the West, Powell was interested in the land as a dynamic theater, the constant shifting of events that moved through his view, on and off road. Points of intersection, the clashing of events where humans interface with the land, occur often within this fabric of beauty and wildness. Powell’s view of the West is broad and diverse, from the visual harmony found in the vastness of space and light, to ironic tensions found through chance and close observation. On one level, Powell was simply measuring his vision of the land against the memories of his childhood. In the second essay, “The Geography of a Life,” esteemed curator, historian, and author Keith F. Davis sheds light on the nature and particular qualities of the work, and on how it is deeply embedded in Powell’s lifelong experience with the West. 

In 1972 David Paul Bayles left the suburbs of Los Angeles for a summer job as a logger. Then, instead of heading off to photography school in the fall as planned, he stayed. Four years later, celebrating the end of his last day of logging with his crewmates over a few beers, the woods boss toasted him: “We wish you well in photo school and please don’t forget us dirty old loggers.”  

Bayles didn’t. A decade later he returned to the forests of the northern Sierras, Mount Shasta, and Redwood coast regions to create a photo exhibition that traveled through California and Oregon. In 2004 he expanded the project, focusing on how northern California’s logging industry had changed and altered the lives and culture of the men with whom he’d spent long days working in forests, men who worked with their hands and intuition. He discovered that with the increased industrialization of the forest and the arrival of machine-oriented tree felling, work that had relied on experience in meeting challenges, on camaraderie and trust, was in danger of becoming more like a robotically-operated assembly line. As one logger told Bayles, “They’re taking the Paul Bunyan out of logging.”  

There’s a poignancy to these portraits and the stories they tell of changing times, hard times, and the humor found in between the dire risks loggers encounter every day. Bayles’ photographs and oral histories introduce us to men who love the forests in which they’ve spent, and sometimes risked, or lost, their lives. Many lament the unnecessary loss of trees and the advent of practices favoring quick profits over safety and sustainability. Bayles’ work is a testament and tribute to a fast-disappearing chapter of American woodsmen, one that may soon be forgotten.

Power and Identity at the Margins of the Ancient Near East rethinks the dichotomy between antiquated terms such as “core” and “periphery,” explores lived realities in the margins of central authority, and centers those margins as places of resistance and power in their own right.
 

This book highlights the modernity of Polish Jewish culture through its literature, poetry, film, cabaret, theater, architecture, the visual arts, and music in urban centers large and small. The contributors expertly reassert the belonging of Jews in Polish lands and showcase the multivalent texture of Polish Jewish cultural production before World War II.
 

As the U.S. population ages, and as health care needs become more complex, demand for paid care workers in home and institutional settings has increased. Migrants Who Care draws attention to the reserve of immigrant labor that is called upon to meet this need, telling the little-known story of a group of English-speaking West African immigrants who have become central to the U.S. health and long-term care systems.

Chinese Marriages in Transition documents the nuanced and multidirectional nature of the transformations in Chinese marriage, gender roles, and family. Using complex and large-scale historical national data as well as comprehensive data from multiple countries, Xiaoling Shu and Jingjing Chen demonstrate that Chinese new familism consists of values both old and new.

The first book to critically examine the legacy of pop superstar Mariah Carey,

Essays on the rise of community-focused art projects and anti-monuments in Mexico since the 1980s.

This book tells the story of how Lacandón Maya families have adapted to the contemporary world while applying their ancestral knowledge to create an ecologically sustainable future in Mexico’s largest remaining tropical rainforest.

A powerful history of the first nonviolent civil disobedience campaign along Mississippi’s beaches

Interviews with the founder of Juxtapoz Art & Culture Magazine and coproducer of ZAP Comix who is known for his underground comix cartoons and oil paintings

Two decades of interviews with the visionary filmmaker of such successful films as The Sixth Sense, Signs, and Unbreakable

One writer’s odyssey through Louisiana folklore and history as he searches for the true meaning of home

A sounding of a profound, lasting imprint on intellectual history

A collection of essays that offers an intimate view of Larry McMurtry, America’s preeminent western novelist, through the eyes of a pantheon of writers he helped shape through his work over the course of his unparalleled literary life